Peter Palik
Profile
In 2003, Peter Palik graduated from Matej Bel University in Banská Bystrica, where he majored in environmental education. Later, he started his studies of puppet direction and dramaturgy at the Academy of Performing Arts in Bratislava, where he also completed his doctoral study in 2009. In 2008–2014, he worked as a dramaturg at the Puppet Theatre in Žilina, where he co-established the Puppet Žilina festival. In 2013–2017, he worked as an in-house director for the Spiš Theatre in Spišská Nová Ves. He also collaborated with the Bratislava Puppet Theatre, the Puppet Theatre in Košice, and the Slovak Radio. Since 2011, he has worked as a pedagogue at the Department of Puppetry, Theatre Faculty of the Academy of Performing Arts. In 2017, he became associate professor. He has worked with amateur theatres in Prievidza – the “A” Theatre and the Shanti Theatre. At present, he is the artistic director at the Jozef Gregor Tajovský Theatre in Zvolen and works as a director for other theatres in Slovakia and the V4 countries.
Palik has made productions for adults and systematically created works for children as well. He is the author of two books of fairy tales: Once Upon a Time, There Was a Rock (2006) and Tales from the Palette (2007, co-authored with Ján Uličiansky), as well as of theatre and radio plays and dramatizations. In 2017, he published a collection of dramatic texts entitled 1+3 Puppet Plays. His productions are regularly included in Slovak and international theatre festivals. Palik has won numerous awards for his work.
The first stage of Peter Palik’s career as a director was connected to his work in puppet theatres. He is also active as a creator – in addition to his own puppet theatre plays, he also writes dramatizations and adaptations. In his puppet theatre productions, his focus is on either classical fairy tale themes (The Feather Fairy, 2009; Good-for-Nothing, the Bravest Knight, 2010; The Little Prince, 2016), or current topics and modern titles that have not been staged yet (Zazie in the Metro, 2009). Palik’s productions are characteristic for a dominant visual element – he enjoys collaboration with visual artists Eva Farkašová and Martina Fintorová. The typical musicality of the productions is the result of his cooperation with Martin Geišberg. The music frequently contributes to the atmosphere and is, simultaneously, a meaning-producing element. He likes to appeal to the viewer’s imagination by combining symbols with music to create an illusion on stage. Some of the other attributes of his poetics include humour, which he produces on stage through word games and by the specific conception of individual characters.
Palik’s directorial work is currently also connected with drama. As a director of dramatic productions, he likes to apply puppeteering creative principles, illusory and anti-illusory elements, as well as music. In classical dramatic texts, he looks for intersections with the contemporary social context and often polemicizes with the established staging traditions of such plays (Women’s Law, 2022; Midnight Mass, 2020; Hamlet, 2023).
- 2005 / Academy of Performing Arts in Bratislava / Antonín Eliášek, Bohumil Schweigstill: Kasperle
- 2006 / TUŠ Theatre, Poprad / Peter Palik: Send Me to School, Mum
- 2006 / Academy of Performing Arts in Bratislava / Ján Uličiansky: A Sorcerer’s Apprentice
- 2007 / Academy of Performing Arts in Bratislava / Peter Palik: Knork
- 2007 / Bratislava Puppet Theatre, Bratislava / Dušan Štauder: Angel Raphael’s Christmas Story
- 2008 / TUŠ Theatre, Poprad / Peter Palik: The Snowing of Annie and Barbara
- 2008 / Academy of Performing Arts in Bratislava / Christine Noestlinger: Conrad, the Factory-Made Boy
- 2008 / Bratislava Puppet Theatre, Bratislava / Dušan Štauder: The Big Journey from Arctos
- 2009 / Academy of Performing Arts in Bratislava / Raymond Queneau: Zazie in the Metro
- 2009 / Puppet Theatre Žilina / István Csukás, Peter Palik: Pom Pom
- 2009 / TUŠ Theatre, Poprad / Mária Ďuríčková: Guľko Bombuľko
- 2009 / Puppet Theatre Žilina / Ľubomír Feldek: The Feather Fairy
- 2010 / Puppet Theatre Žilina / Jaroslav Pivko: Good-for-Nothing, the Bravest Knight
- 2010 / TUŠ Theatre, Poprad / Peter Palik: Three Pork Xs, or a Play about Three Pigs
- 2010 / Puppet Theatre Žilina / James Matthew Barrie: Peter Pan
- 2011 / TUŠ Theatre, Poprad / Peter Palik: Tristan
- 2012 / Puppet Theatre Žilina / Libuša Friedová: An Unusual Week
- 2013 / Academy of Performing Arts in Bratislava / Zuzana Ferenczová: Jumping Out of Your Skin
- 2013 / Private Music and Dramatic Conservatory Martin / Robert Thomas: Eight Women
- 2013 / Puppet Theatre Žilina / The Best Fairy Tale about the Little Red Riding Hood
- 2013 / Academy of Performing Arts in Bratislava / team of authors: I, Don Quijote
- 2014 / Spiš Theatre, Spišská Nová Ves / Peter Palik: The Shadow of Master Paul
- 2014 / Bratislava Puppet Theatre, Bratislava / Iva Procházková: A Mousey’s Not a Foxy
- 2014 / Puppet Theatre Žilina / Ján Ozábal: A Curious Dictionary
- 2014 / Puppet Theatre Žilina / Jakub Nvota: Tourminator or Tour de Paris
- 2015 / Spiš Theatre, Spišská Nová Ves / Jozef Mokoš: Jánošík, or There’s Only One Truth
- 2015 / Spiš Theatre, Spišská Nová Ves / Martin Kukučín: Ginger Heifer
- 2016 / Academy of Performing Arts in Bratislava / Peter Palik: Panopticum Notre Dame
- 2016 / Spiš Theatre, Spišská Nová Ves / Olga Tokarczuk, Peter Palik: Life Is Not Theatre
- 2016 / Bratislava Puppet Theatre, Bratislava / Krista Bendová: Johnny Eight’s Tales About Princesses
- 2016 / Ján Palárik Theatre in Trnava / Antoine de Saint-Exupéry: The Little Prince
- 2016 / Bratislava Puppet Theatre, Bratislava / Jozef Mokoš: The Ravens
- 2017 / Spiš Theatre, Spišská Nová Ves / Hans Christian Andersen: Thumbelina
- 2017 / Puppet Theatre Žilina / Jozef Mokoš: From a Fairy Tale to a Fairy Tale
- 2017 / State Theatre Košice / Astrid Lindgren: Ronia, the Robber’s Daughter
- 2017 / Spiš Theatre, Spišská Nová Ves / Carlo Goldoni: The Chiogga’s Scuffles
- 2017 / Spiš Theatre, Spišská Nová Ves / Ján Jendrichovský, Peter Palik: The Century According to Mary
- 2017 / Ján Palárik Theatre in Trnava / Maurice Maeterlinck: The Blue Bird
- 2018 / Puppet Theatre in Košice / Mária Ďuríčková, Peter Palik: Guľko Bombuľko
- 2018 / Puppet Theatre in Košice / Peter Palik: Looking for a Snowman!
- 2018 / Spiš Theatre, Spišská Nová Ves / Jeanne-Marie Leprince de Beaumont, Peter Palik: The Beauty and the Beast
- 2018 / Jozef Gregor Tajovský Theatre in Zvolen / Milan Uhde: A Ballad for the Bandit
- 2018 / Ján Palárik Theatre in Trnava / Martin Kukučín: Unawakened
- 2018 / Academy of Performing Arts in Bratislava / Wolf Erlbruch: A Duck, Death, and a Tulip
- 2019 / Spiš Theatre, Spišská Nová Ves / Ľubomír Feldek, Peter Palik: The Feather Fairy
- 2019 / Jozef Gregor Tajovský Theatre in Zvolen / Niccolò Machiavelli: Mandragora
- 2019 / Academy of Performing Arts in Bratislava / William Golding: Lord of the Flies
- 2019 / SpozaVoza Theatre, Trnava / Peter Palik, Miroslav Mihálek: One Father’s Blues
- 2019 / Jozef Gregor Tajovský Theatre in Zvolen / István Csukás: Pom Pom’s Fairy Tales
- 2019 / Academy of Performing Arts in Bratislava / Peter Palik: The Pear
- 2020 / Jozef Gregor Tajovský Theatre in Zvolen / Peter Karvaš: Midnight Mass
- 2020 / Spiš Theatre, Spišská Nová Ves / Peter Palik: Johnny Little Pea
- 2021 / Jozef Gregor Tajovský Theatre, Zvolen / Peter Palik: Bonnet
- 2021 / Jozef Gregor Tajovský Theatre, Zvolen / Nikolai Vasilyevich Gogol: The Inspector General
- 2021 / Puppet Theatre Žilina / Peter Palik: Helter Skelter
- 2021 / Jozef Gregor Tajovský Theatre, Zvolen / Peter Palik, Miroslav Mihálek: Take care!
- 2022 / Puppet Theatre in Košice / Hans Christian Andersen: The Steadfast Tin Soldier
- 2022 / Jozef Gregor Tajovský Theatre, Zvolen / Jozef Gregor Tajovský: Women’s Law
- 2022 / Jozef Gregor Tajovský Theatre, Zvolen / Aldo Nicolai: A Good Year
- 2022 / Jozef Gregor Tajovský Theatre, Zvolen / Kate DiCamillo: The Miraculous Journey of Edward Tulane
- 2023 / Academy of Arts in Banská Bystrica / Team of authors: Thick Lines – True Story
- 2023 / Jozef Gregor Tajovský Theatre, Zvolen / Peter Palik: Hauerland
- 2023 / Jozef Gregor Tajovský Theatre, Zvolen / William Shakespeare: Hamlet
- 2021/ Literary Fund Prize for the direction of the production Bonnet
- 2018 / Literary Fund Prize for the direction of the production A Ballad for the Bandit
- 2014 / Wondrous Nut festival, Expert Jury Prize – fairy tale plays category for the radio play Leonardo, the Street Cat
- 2014 / Golden Magnolia festival – Exceptional Production award for the production Peter Pan, Shanghai, China
- 2010 / Annual Prize of the Literary Fund in the field of theatre awarded for the direction of The Feather Fairy
- 2009 / The National Hašterica award for a work of art in the field of Slovak puppet theatre; awarded for the production Zazie in the Metro
- 2008 / Wondrous Nut festival, Expert Jury Prize – monologic fairy tales category for the radio fairy tale Vinco Zelienka’s Trees