Michal Vajdička
Profile
From 1993, Michal Vajdička worked as a lighting engineer and professional lighting designer at the Drama Department of the Slovak National Theatre and at the Bratislava Dance Theatre. In 2004, he graduated from the Academy of Performing Arts in Bratislava where he majored in theatre direction in the class led by Peter Mikulík. While still a student, his production of The Lonesome West enjoyed success at the 2005 Setkání/Encounter international festival of theatre schools held in Brno and at the Istropolitana theatre festival held in the same year in Bratislava, Slovakia. As a director, he has collaborated with several Slovak and Czech theatres (Drama Department of the Slovak National Theatre, State Theatre Košice, Andrej Bagar Theatre in Nitra, Dejvice Theatre in Prague, Theatre in Vinohrady in Prague, National Theatre Brno). During 2014 – 2016 he was the artistic director of the Dejvice Theatre in Prague where he staged the successful production A Blockage in the System that was awarded the Alfréd Radok Prize in the Best Production of 2012 category. In January 2018, he was appointed as the director of the Drama Department of the Slovak National Theatre. He also works as a full-time pedagogue at the Department of Acting at the Academy of Performing Arts where he leads seminars in acting together with actor Ľuboš Kostelný. He also works as a television director and has cooperated in productions of drama and comedy series, as well as famous reality shows.
Michal Vajdička’s directorial work is characteristic for its two fundamental production tendencies: the first is the inclination to stage classical dramatic texts (mostly plays by Anton Pavlovich Chekhov, William Shakespeare, Luigi Pirandello) supplemented by productions of theatre adaptations of the prose writings of Slovak author Božena Slančíková-Timrava (All For the Nation, The Ball). The second is Vajdička’s focus on contemporary international drama with an emphasis on the black comedies by Martin McDonagh and Irvine Welsh in which his directorial method is clearly visible and easy to grasp.
Vajdička’s productions, be it stagings of works by McDonagh, Welsh or even Chekhov, display the precisely functioning principles of the conservative model of theatre supplemented by modern (almost movie-like) stage situations, such as those applied in the movies by director Quentin Tarantino. Similarly precise is Vajdička’s work with actors which allows him to shape strongly differentiated characters on the basis of the thematic foundation of the play in question. Transparent linear composition, clearly structured characters and their behaviour reflecting motivation, a clearly visible beginning and end of the dramatic situation – these all are attributes owing to which the spectators leave the theatre with an experience of a thoroughly told story that is, despite its tragic nature, often unexpectedly entertaining. These are the most essential features of Vajdička’s directorial approach. In stage design, he tries to avoid large spaces. On the contrary, he prefers smaller scale dimensions, or tries to optically reduce larger ones (The Ball, The Kindly Ones, The Poor Bride). In the small or reduced stage space, Vajdička is able to create not only meaningful stage settings charged with theatrical tension, but also focuses on precise and detailed characterization while accentuating the actor’s individuality as much as possible.
Vajdička started close tandem cooperation with dramaturg Daniel Majling which proved fruitful mostly when staging challenging epic works. Majling’s adaptations of prose writings (The Ball, The Kindly Ones, A Blockage in the System, The Decline of the American Empire, The Barbarian Invasions) very much suit the Vajdička’s theatre language and directorial poetics. Vajdička often collaborates with awarded musician Marián Čekovský (Empty Hole, The Ball, The Kindly Ones, Medeia) to endow his productions with a musical tinge. In stage design, his closest collaborator is Pavol Andraško.
- 2001 / Academy of Performing Arts, Bratislava / Carlo Gozzi: The King Stag
- 2001 / Studio L+S, Bratislava / Carlo Gozzi: The King Stag
- 2002 / Academy of Performing Arts, Bratislava / Ivan Stodola: A Comedy
- 2002 / City Theatre Bratislava / Sƚawomir Mrożek: The Party
- 2003 / Academy of Performing Arts, Bratislava / Martin McDonagh: The Lonesome West
- 2004 / Academy of Performing Arts, Bratislava / William Shakespeare: Othello
- 2004 / Slovak Chamber Theatre, Martin / Martin McDonagh: The Lonesome West
- 2005 / State Theatre Košice / Martin McDonagh: The Beauty Queen of Leenane
- 2005 / Academy of Performing Arts, Bratislava / Quentin Tarantino: Reservoir Dogs
- 2005 / Jozef Gregor Tajovský Theatre, Zvolen / Peter Pavlac, Michal Vajdička: Three Little Pigs
- 2006 / State Theatre Košice / Anton Pavlovich Chekhov: Three Sisters
- 2006 / Jonáš Záborský Theatre, Prešov / Miro Gavran: Death of an Actor
- 2006 / Slovak Chamber Theatre, Martin / Urs Widmer: Top Dogs
- 2007 / Andrej Bagar Theatre, Nitra / Marina Carr: Portia Coughlan
- 2007 / Academy of Performing Arts, Bratislava / David Mamet: Sexual Perversity in Chicago
- 2007 / Slovak National Theatre, Bratislava / Martin McDonagh: The Cripple of Inishmaan
- 2007 / National Theatre Brno, Czech Republic / Robert Thomas: 8 Women
- 2008 / State Theatre Košice / Dale Wasserman: One Flew Over the Cuckoo’s Nest
- 2008 / Andrej Bagar Theatre, Nitra / Božena Slančíková-Timrava, Ondrej Šulaj: All For the Nation
- 2008 / Summer Shakespeare Festival, Bratislava / William Shakespeare: Anthony and Cleopatra
- 2008 / Academy of Performing Arts, Bratislava / Jean Anouilh: The Orchestra
- 2009 / State Theatre Košice / Euripides: Medeia
- 2009 / Aréna Theatre, Bratislava / Peter Pavlac: Circus
- 2010 / Bratislava Puppet Theatre / Gioacchino Rossini, Pierre-Augustin Caron de Beaumarchais: Figaro
- 2010 / Andrej Bagar Theatre, Nitra / Nikolai Vasilievich Gogol, M. D. Levin: Dead Souls
- 2010 / Summer Shakespeare Festival, Bratislava / William Shakespeare: Measure for Measure
- 2010 / Academy of Performing Arts, Bratislava / William Shakespeare: A Midsummer Night’s Dream
- 2012 / Dejvice Theatre, Prague, Czech Republic/ Irvine Welsh: A Blockage in the System
- 2012 / Slovak National Theatre, Bratislava/ Martin McDonagh: A Behanding in Spokane
- 2012 / City Theatre of Pavol Országh Hviezdoslav, Bratislava / Rainer Lewandowski: Tonight Neither Hamlet
- 2013 / Dejvice Theatre, Prague, Czech Republic / Anton Pavlovich Chekhov: The Seagull
- 2013 / Andrej Bagar Theatre, Nitra / Alexander Nikolayevich Ostrovsky: The Poor Bride
- 2013 / Theatre in Vinohrady, Prague, Czech Republic / Luigi Pirandello: Henry IV
- 2014 / Slovak National Theatre, Bratislava / Jonathan Littel, Daniel Majling: The Kindly Ones
- 2014 / Slovak National Theatre, Bratislava / a team of authors: The Ten Commandments (Thou Shalt Not Cover Thy Neighbour’s House)
- 2014 / Slovak National Theatre, Bratislava / Božena Slančíková-Timrava, Daniel Majling: The Ball
- 2015 / ASTORKA Korzo ’90 Theatre / Michal Vajdička: Empty Hole
- 2015 / Summer Shakespeare Festival, Bratislava / William Shakespeare: Othello
- 2015 / Slovak National Theatre, Bratislava / Denys Arcand: The Decline of the American Empire, The Barbarian Invasions
- 2015 / agency production / Georges Feydeau: Every Trick in the Book (Le Système Ribadier)
- 2016 / Dejvice Theatre, Prague, Czech Republic/ Daniel Doubt: Resurrection
- 2016 / Slovak National Theatre, Bratislava / Roald Dahl: The Hotel Bristol Apartment
- 2017 / J. K. Tyl Theatre, Pilsen / Anton Pavlovich Chekhov: Three Sisters
- 2017 / Academy of Performing Arts, Bratislava / Luigi Pirandello: Six Characters Looking For An Author
- 2017 / Summer Shakespeare Festival, Praha / William Shakespeare: Hamlet
- 2017 / City Theatre of Pavol Országh Hviezdoslav, Bratislava / Ira Levin: Veronica’s Room
- 2018 / Slovak National Theatre, Bratislava / Gerhart Hauptmann: Before Sunrise
- 2018 / Studio L + S, Bratislava / Ján Snopko: Lord Norton and Servant James (After Twenty Years)
- 2018 / Slovak National Theatre, Bratislava / Joseph Roth: Project 1918
- 2019 / Slovak National Theatre, Bratislava / Henry Lewis, Jonathan Sayer, Henry Shields: The Play That Goes Wrong
- 2020 / City Theatre of Pavol Országh Hviezdoslav, Bratislava / George Tabori: Mein Kampf
- 2020 / National Theatre, Brno / Martin McDonagh: A Very Very Very Dark Matter
- 2021 / ASTORKA Korzo ’90 Theatre, Bratislava / Daniel Majling: Love. Fingers. Salman Rushdie.
- 2022 / Dejvice Theatre, Prague / Luigi Pirandello: So It Is (If You Think So)
- 2022 / Theatre in Dlouhá Street, Prague / Svetlana Alexievich, Daniel Majling: The Last of the Soviets
- 2022 / Studio L+S, Bratislava / Willy Russell: Shirley Valentine
- 2005 / the Literary Fund Prize in the Theatre category for directing the production The Beauty from Leenane
- 2007 / the Literary Fund Prize in the Theatre category for directing the production Portia Coughlan
- 2008 / the Literary Fund Prize in the Theatre category for directing the production All for the Nation
- 2008 / Alfréd Radok Prize for greatest international theatre experience for the production All for the Nation
- 2012 / Alfréd Radok Prize in the Best Production of the Year category for the production A Blockage in the System
- 2014 / Dosky Award for the production The Kindly Ones in three categories: Best Production, Best Direction and Best Male Performance