Martin Kákoš
Profile
Coming from a lineage of theatre-makers (his father Ján Kákoš was playwright and theatre director, mother Dagmar Kákošová was an actress, and sister Jana Kákošová is a playwright and scriptwriter), Ján Kákoš completed his studies in stage directing under Tibor Rakovský at the Academy of Performing Arts in Bratislava in 1977. He went on to join, as stage director, The Andrej Bagar Theatre in Nitra where he was to spend nearly a decade (1978 – 1987). From 1987 to 1990 he was stage director at the Poetic Company of the Theatre Nová scéna in Bratislava to stage, in première, the plays by Karol Horák Gospel According to Jonas (Záborský) (1987), The Road (1988) or Chingiz Aytmatov’s The Day Lasts More than a Hundred Years (1987). In the period of 1990 – 1991 he was artistic director at the Chamber Drama Company within the Theatre Nová scéna. After its closure, he became freelance director. As guest director he collaborated with a number of Slovak theatres (The Jozef Gregor Tajovský Theatre in Zvolen, The Jonáš Záborský Theatre in Prešov, State Theatre in Košice). His portfolio includes over fifty televised films, productions, documentaries and entertainment programmes (The Black Sheep, 1985; A Ballad About Dead Eyes, 1988; The Birthday of the Infanta, 1991; Witchunt, 1994; Herod and Herodias, 1996; Miraculous Love, 1996), whilst also contributing to many as scriptwriter. Between 1996 and 2006 he was director of the Drama Programming Centre at the Slovak Radio. From 2007 to 2011 he was artistic director at the Bratislava-based Theatre Nová scéna. In the period of 2009 – 2010 he served as the Chairman of the Slovak Television Board and, since 2012 he is member of the Slovak Radio and Television Board. Mr Kákoš is author of a number of stage and radio adaptations and plays.
As the young director at The Andrej Bagar Theatre in Nitra Mr Kákoš launched his career with a series of productions of more recent Slovak and world drama (T. Williams, Ö. von Horváth, J. Solovič) and lesser-known stage works (V. Kondratiev: Leave after Injury, 1982; Shudraka: The Little Clay Cart, 1983). He earned recognition for his productions of Hviezdoslav’s Herod and Herodias (1983), Shaltenis’ Shoo, Death, Shoo! (1983) and Aytmatov’s The Day Lasts More than a Hundred Years (1987). Together with the stage director Jozef Bednárik he was part of the golden era at The Andrej Bagar Theatre, particularly with productions of the works by A. Ostrovsky: Enough Stupidity in Every Wise Man, 1980 and Without a Dowry, 1986; Ö. von Horváth: Don Juan Comes Back from the War, 1982; F. L. Baum, D. Kárová: The Wizzard of Oz, 1981; J. Kákošová: Domov bezmenných, 1985).
In his productions he often accentuates rational motivation in human conduct in dramatic situations. His approach to the text is always active and creative. From the outset he is particularly interested in drama containing sharp conflict that speaks of the most pressing issues of the day and presents generational statements about contemporary society. Even if not genre-specific, his productions oscillate between comedy and tragedy. Core part of his work lies in classical drama as well as poetic masters (leaning towards poetic realism) that are based on the power of metaphor and multiple meaning (I. Örkény: The Key-Seekers, 1984; A. Wagenstein: Stars in Her Hair, Tears in Her Eyes, 1986; V. Braun: The Great Peace, 1989). In recent years he has been directing original musicals, often also contributing as librettist (M. Kákoš, G. Dušík, M. Sarvaš: Francis of Assisi; M. Kákoš, G. Dušík, P. Uličný: Quo vadis; M. Kákoš, M. Brezáni, Ľ. Horňák: Mata Hari; P. Jaroš, M. Kákoš, K. Peteraj: The Millennial Bee or Ľ. Horňák, M. Kákoš, M. Brezáni: Madame de Pompadour).
- 1977 / Academy of Performing Arts in Bratislava / Johann Friedrich Schiller: Marie Stuart
- 1978 / Theatre Nová scéna, Bratislava / Pablo Neruda: Splendour and Death of Joaquín Muriet
- 1978 / Regional Theatre Nitra / Tennessee Williams: Orpheus Descending
- 1978 / Regional Theatre Nitra / Ján Solovič: Watch Out for the Angels
- 1979 / Regional Theatre Nitra / Ben Jonson: Volpone
- 1980 / The Andrej Bagar Theatre in Nitra / Alexander Ostrovsky: Enough Stupidity in Every Wise Man
- 1981 / The Andrej Bagar Theatre in Nitra / Frank Lyman Baum, Darina Kárová: The Wizard of Oz
- 1982 / The Andrej Bagar Theatre in Nitra / Ödön von Horváth: Don Juan Comes Back from the War
- 1982 / The Andrej Bagar Theatre in Nitra / Shudraka: The Little Clay Cart
- 1982 / The Andrej Bagar Theatre in Nitra / Viacheslav Kondratiev: Leave after Injury
- 1983 / The Andrej Bagar Theatre in Nitra / Carlo Goldoni: The Opresario from Smyrna
- 1983 / The Andrej Bagar Theatre in Nitra / Pavol Országh Hviezdoslav: Herod and Herodias
- 1983 / The Andrej Bagar Theatre in Nitra / Saulius Shaltenis: Shoo, Death, Shoo!
- 1983 / Theatre for Children and Youth, Trnava / Carlo Gozzi: The Raven
- 1984 / The Andrej Bagar Theatre in Nitra / Percy Bysshe Shelley: The Cenci
- 1984 / The Andrej Bagar Theatre in Nitra / István Örkény: The Key-Seekers
- 1985 / The Andrej Bagar Theatre in Nitra / Jana Kákošová: The House of Nameless
- 1985 / The Andrej Bagar Theatre in Nitra / Karel Steigerwald: Foxtrot
- 1985 / The Andrej Bagar Theatre in Nitra / Yevgeniy Schvarts: The Naked King
- 1986 / The Andrej Bagar Theatre in Nitra / Alexander Ostrovsky: Without a Dowry
- 1986 / The Andrej Bagar Theatre in Nitra / Angel Wagenstein: Stars in Her Hair, Tears in Her Eyes
- 1987 / Theatre Nová scéna, Bratislava / Karol Horák: The Gospel According to Jonas (Záborský)
- 1987 / The Andrej Bagar Theatre in Nitra / Ion Druce: In the Name of the Earth and Sun
- 1987 / Theatre Nová scéna, Bratislava / Chngiz Aytmatov: The Day Lasts More than a Hundred Years
- 1988 / Theatre Nová scéna, Bratislava / Karol Horák: The Road
- 1989 / Theatre Nová scéna, Bratislava / Volker Braun: The Great Peace
- 1989 / Theatre Nová scéna, Bratislava / Jozef Mokoš, Martin Kákoš: Stolen Time
- 1990 / Theatre Nová scéna, Bratislava / Jean Anouilh: The Baker, the Baker’s Wife, and the Baker’s Boy
- 1991 / Chamber Drama Company, Theatre Nová scéna, Bratislava / Jiří Voskovec, Jan Werich: Helenka Likes It or a Straw Hat
- 1991 / Chamber Drama Company, Theatre Nová scéna, Bratislava / William M. Hoffman: As Is
- 1991 / State Theatre Košice / Marcel Achard: The Idiot
- 1992 / Puppet Theatre Žilina / Jozef Mokoš, Martin Kákoš: Stolen Time
- 1993 / The Andrej Bagar Theatre in Nitra / Alfred de Musset: Don’t Play with Love
- 1995 / The Andrej Bagar Theatre in Nitra / Jozef Cíger Hronský, Marek Maďarič, Martin Kákoš: Jozef Mak
- 1997 / The Andrej Bagar Theatre in Nitra / Ludvig Holberg: Jeppe on the Hill
- 1997 / The Andrej Bagar Theatre in Nitra / Mark Twain, Martin Kákoš, Ivan Vojtek st.: Tom Sawyer and the Others
- 1999 / Bratislava Puppet Theatre/ Václav Šúplata: An Inflatable Tale
- 2000 / State Theatre Košice / Yevgeniy Shvarts: Cinderella
- 2000 / The Andrej Bagar Theatre in Nitra / Jana Kákošová, Henrich Leško: Báthory
- 2002 / The Jonáš Záborský Theatre, Prešov / Ray Cooney: It Runs in the Family
- 2003 / The Andrej Bagar Theatre in Nitra / Alan Ayckbourn: Time of My Life
- 2004 / The Jonáš Záborský Theatre, Prešov / Éva Pataki: Edith and Marlene
- 2005 / The Jonáš Záborský Theatre, Prešov / Jana Kákošová, Henrich Leško: Báthory
- 2005 / The Jozef Gregor Tajovský Theatre in Zvolen / Molière: The Miser
- 2005 / State Theatre Košice / Thomas Walter Brandon: Charley’s Aunt
- 2006 / The Jonáš Záborský Theatre, Prešov / Bengt Ahlfors: The Last Cigar
- 2006 / The Jonáš Záborský Theatre, Prešov / Neil Simon: Odd Couple
- 2006 / The Jozef Gregor Tajovský Theatre in Zvolen / Aristophanes: Lysistrata
- 2007 / The Jonáš Záborský Theatre, Prešov / Nikolai Koliada: Chicken
- 2007 / The Jonáš Záborský Theatre, Prešov / Martin Kákoš, Gabo Dušík, Martin Sarvaš: Francis of Assisi
- 2008 / Theatre Nová scéna, Bratislava / Jiří Brdečka, Jan Rychlík, Vlastimil Hála: Lemonade Joe
- 2009 / Theatre Nová scéna, Bratislava / Martin Kákoš, Gabo Dušík, Martin Sarvaš: Francis of Assisi
- 2011 / The Jonáš Záborský Theatre, Prešov / Martin Kákoš, Gabo Dušík, Peter Uličný: Quo vadis
- 2012 / The Jozef Gregor Tajovský Theatre in Zvolen / Ray Cooney: It Runs in the Family
- 2013 / The Jozef Gregor Tajovský Theatre in Zvolen / Henrich Leško, Marek Maďarič: A Poète Maudit
- 2013 / Theatre Nová scéna, Bratislava / Martin Kákoš, Marián Brezáni, Ľubomír Horňák: Mata Hari
- 2013 / Theatre Nová scéna, Bratislava / Peter Jaroš, Martin Kákoš, Kamil Peteraj: The Millennial Bee
- 2014 / State Theatre Košice / Rudolf Shuster: Bocatius
- 2015 / The Jozef Gregor Tajovský Theatre in Zvolen / Antonín Procházka: Celebrity s. r. o.
- 2016 / Theatre Nová scéna, Bratislava / Ľubomír Horňák, Martin Kákoš, Marián Brezáni: Madame de Pompadour
- 2016 / The Jozef Gregor Tajovský Theatre in Zvolen / Brandon Thomas: Charley’s Aunt
- 2019 / The Jozef Gregor Tajovský Theatre in Zvolen / Alfred de Musset: Don’t Play with Love
- 2020 / Slovak National Theatre, Bratislava / Antonín Dvořák: Rusalka
- 2007 / Annual prize of the Slovak Literature Fund for theatre for directing the original Slovak musical Francis of Assisi
- 2009 / Annual prize of the Slovak Literature Fund for radio work