Ondrej Spišák
Profile
Ondrej Spišák graduated in direction and dramaturgy from the Department of Alternative and Puppet Theatre in Prague. Already as a student, he drew attention with his unconventional interpretation of the musical Painted On Glass staged under the title Jazzinbed. After graduation, he worked briefly for the AKABAL theatre ensemble and later for two seasons at the Puppet Theatre in Žilina. In 1990, Spišák left for Bratislava where he joined what was then the State Puppet Theatre. There, he created productions that were to set the theatre’s artistic trend for a long time and became its trademark shows. Spišák has closely cooperated with numerous puppet and drama theatres in Slovakia (Bratislava Puppet Theatre, Karol Spišák’s Old Theatre in Nitra, Andrej Bagar Theatre in Nitra, Radošina Naïve Theatre in Bratislava, later also Drama Department of the Slovak National Theatre), in the Czech Republic (Petr Bezruč Theatre in Ostrava, Moravian-Silesian National Theatre, Tešín Theatre) and in Poland (Lalka Teatr in Warsaw, Białostocki Teatr Lalek, Teatr Nowy in Lodž, Teatr Narodowy in Warsaw). In Poland, he became famous for his work in puppet and drama theatres – among his most outstanding productions were Our Class and Merlin. The Other History and Prophet Ilya. On those productions he closely collaborated also with Polish playwright Tadeusz Słobodzianek. In 1990, together with stage designer František Lipták and several actors, Spišák founded the Teatro Tatro nomadic theatre which has become a free company of directors, stage designers and actors. In 1992 he started working as a director for the Old Theatre in Nitra (today known as Karol Spišák’s Old Theatre in Nitra) and became its director in 2007. He worked there as a director until 2016. At present, he is a freelance director and is active in Slovakia, the Czech Republic and Poland. Several of his productions won a number of domestic, but mostly international theatre awards.
Director Ondrej Spišák is a member of the older generation of contemporary Slovak theatre directors. After his studies in puppet and alternative theatre, Spišák became immediately involved with the community of the most progressive Slovak, Czech and Polish puppet artists and got established among them as a self-standing personality with unique poetics and recognizable directorial style. In his directorial work, he is inclined to alternative theatre forms which he got acquainted with during his studies in the Czech Republic and that he has fully employed not only in his puppet work, but also in drama productions. In his productions, he has used the rich tradition of puppet theatre in Slovakia (dating back to the 18th and 19thcenturies) as well as in the Czech Republic. He can surprise his audience with original puppets, unique and often unconventional connections between the plot and form, a distinct sense of humour and a very serious approach to the heroes in plays for children. He adjusts both classical and contemporary texts so as to fit children and young audiences to make theatre that communicates with its audience through images, sounds, symbols and metaphors. As far as puppets are concerned, Ondrej Spišák uses them only if they develop the performance means and represent something new – puppets never appear in his productions just for a self-serving purpose. The actor animating a puppet usually finds him- or herself in a different situation than the puppet itself.
Ondrej Spišák’s art is a manifestation of great talent and a sense for theatricality and artistic resourcefulness owing to which Spišák easily progresses through the text and creates a transparent, coherent, but mostly very compelling stage shows. Humour, one of the essential attributes of his directorial approach, often oscillates between coarseness and cynicism, but always inspires deeper reflection. Ondrej Spišák is a strikingly creative puppet and drama artist whose theatre work guarantees a unique experience that affirms the imaginative abilities of both youth and adult audiences.
On Slovak stages is Ondrej Spišák best known for his work for Teatro Tatro, which is a very untypical model of theatre in Slovakia. Within the very diverse Slovak theatre network, Teatro Tatro is an exceptional type of independent theatre performing either in a circus tent or caravan. Its creative team consists of long-time members but is often complemented by artists who are contracted to do a particular project. The artistic aim is to produce shows of high quality that use a new, synthetic stage language to communicate with audiences. In a way, Teatro Tatro’s productions revive such former theatre approaches as nomadic theatres or wandering performances and also represent such current trends as street theatre or happenings. An integral part of Teatro Tatro’s productions is a strong visual element created by renowned visual artist and stage designer Fero Lipták. In tandem collaboration with Ondrej Spišák, Lipták creates captivating stage design with characteristic style using natural material and tasteful fantasy (almost fairy-tale-like) poetics. Productions of Teatro Tatro directed by Spišák are always the result of several months of concentrated preparation at the end of which there is a colourful stage world full of lights, music, quaint costumes and polyfunctional stage design, as well as acrobatic action, extraordinary acting, intelligent humour and unique allegories.
- 1986 / AKABAL Prague, Czech Republic / Ernest Bryll, Katarzyna Gärtnerová, Ondrej Spišák: Jazzinbed (Painted on Glass)
- 1987 / AKABAL Prague, Czech Republic / Nikolai Vasilievich Gogol, Ondrej Spišák: The Portrait
- 1987 / State Puppet Theatre in Bratislava / Jules Verne, Ondrej Spišák: The Mysterious Castle
- 1988 / Slovak National Uprising Theatre, Martin / Horst Hawemann: The Cat
- 1990 / State Puppet Theatre in Bratislava / Johann Nepomuk Nestroy, Andrej Ferko: The Evil Spirit of Lumpacivagabundus
- 1990 / Teatro Tatro, Nitra / Michel de Ghelderode: Sir Halewyn
- 1991 / State Puppet Theatre in Bratislava / Paul Claudel: Christopher Columbus
- 1991 / State Puppet Theatre in Bratislava / Pavol Fejér, Róbert Laurinec, Martin Vanek, Ondrej Spišák: The Discovery of America
- 1991 / State Puppet Theatre in Bratislava / Jan Vladislav: About the Pouch With Two Pennies
- 1992 / State Puppet Theatre in Bratislava / Samuel Czambel: The Biggest Lie
- 1993 / Teatro Tatro, Nitra / John Ronald Reuel Tolkien: Minas Tirith – Minas Morgul
- 1993 / Trnava Theatre, Trnava / Michel de Ghelderode: Red Magic
- 1994 / Teatr Lalka, Warsaw, Poland / Daniel Defoe: Robinson Crusoe
- 1994 / Puppet Theatre Nitra / Rudyard Kipling: The Jungle Book
- 1994 / Teatr Lalka, Warsaw, Poland / John Ronald Reuel Tolkien: Farmer Giles of Ham
- 1994 / Puppet Theatre Nitra / Jozef Cíger Hronský, Ivan Gontko: Budkáčik and Dubkáčik
- 1994 / Andrej Bagar Theatre, Nitra / René de Obaldia: Wind in the Branches of the Sassafrass
- 1994 / Teatro Tatro, Nitra and Puppet Theatre Nitra / Ondrej Spišák: Let Us Go To Bethlehem Together
- 1995 / Puppet Theatre Nitra / Christopher Marlowe: Doctor Faustus
- 1995 / Teatro Tatro, Nitra / Miloš Štědroň, Milan Uhde: A Ballad for the Bandit
- 1995 / Puppet Theatre Nitra / Ivan Gontko, Jaroslav Vodrážka: Pirates
- 1995 / State Puppet Theatre in Bratislava / Jozef Mokoš, Ondrej Spišák: Mary
- 1995 / Puppet Theatre Nitra / Ondrej Spišák: Nicholas – And Off They Carry Him!
- 1996 / Białostocki Teatr Lalek, Białystok, Poland / Jonathan Swift: Gulliver
- 1996 / Theatre Society of Petr Bezruč, Ostrava, Czech republic / Yevgeny Doga, Emil Lotjanu, Jindřich Janda: A Ballad About the Horse Thief
- 1996 / Puppet Theatre Nitra / Ivan Gontko, Ondrej Spišák: Dream On Your Own
- 1996 / Puppet Theatre Nitra / unknown author: A Comedy About Francisca, Daughter of the King of England, and About Little John, Son of a London Merchant
- 1996 / Radošina Naïve Theatre, Bratislava / Stanislav Štepka: Daddy
- 1997 / Teatro Tatro, Nitra / Ondrej Spišák: About the Creation of the World
- 1997 / Teatr Lalka, Warsaw, Poland / Jules Verne: A Journey To The Centre of the Earth
- 1998 / Baj Pomorski Theatre, Toruń, Poland / Lewis Carroll: Alice in Wonderland
- 1998 / Teatro Tatro, Nitra / Pastime
- 1998 / Baj Pomorski Theatre, Toruń, Poland / Miguel de Cervantes: Don Quixote
- 1998 / Těšín Theatre, Český Těšín, Czech Republic / Gabriela Preissová: The Farm Mistress
- 1998 / Radošina Naïve Theatre, Bratislava / Stanislav Štepka: How I Wised Up
- 1998 / Teatro Tatro, Nitra / Ivan Gontko, Ondrej Spišák: P.F. ’99
- 1999 / Puppet Theatre Nitra / Ondrej Spišák: About Goblins
- 1999 / Těšín Theatre, Český Těšín, Czech Republic / Olga Tokarczuk, Piotr Tomaszuk: Prehistory and Other Times
- 1999 / Puppet Theatre Nitra / František Malec: What You Want From a Woman
- 1999 / Teatr Lalka, Warsaw, Poland / Homer: The Odyssey
- 1999 / Old Theatre Nitra / Miloš Janoušek, Viliam Klimáček: The Yellow Bus
- 1999 / Teatro Tatro, Nitra / Jan Weiss, Ondrej Spišák: Bianca Braselli, the Lady With Two Heads
- 2000 / Těšín Theatre, Český Těšín, Czech Republic / Jiří Bažant, Jiří Malásek, Vlastimil Hála, Vratislav Blažek, Ladislav Rychman: The Hop Pickers
- 2000 / Old Theatre Nitra / Josef Kainar: Goldilocks
- 2000 / Dance Studio Banská Bystrica and Teatro Tatro, Nitra / Renata Putzlacher: Flying Frida
- 2000 / Teatr Nowy, Łódź, Poland / Daniel Defoe: Robinson Crusoe
- 2000 / Moravian-Silesian National Theatre, Ostrava / Dan Goggin: Nunsense
- 2000 / Old Theatre Nitra / Ondrej Spišák: The Legend of the Tatras
- 2000 / Teatr Nowy, Łódź, Poland / Pierre A. Beaumarchais: The Marriage of Figaro
- 2001 / Old Theatre Nitra / Maurice Maeterlinck: The Blue Bird
- 2001 / Moravian-Silesian National Theatre, Ostrava, Czech Republic / Jerome Klapka Jerome, Karel Tománek: Three Man On a Hike and A Black Dog
- 2001 / Teatro Tatro, Nitra / Ondrej Spišák: Little Red Riding Hood, or Clowns Of All Countries, Unite!
- 2001 / Old Theatre Nitra / Jiří Brdečka, Vlastimil Hála, Jan Rychlík: Lemonade Joe
- 2002 / Old Theatre Nitra / Ľudmila Podjavorinská: Chin–Chin
- 2002 / Theatre Society of Petr Bezruč, Ostrava, Czech Republic / Vladislav Vančura, Evžen Sokolovský Sr.: Capricious Summer
- 2003 / Old Theatre Nitra / Hans Christian Andersen, Veronika Gabčíková, Ondrej Spišák: The Snow Queen
- 2003 / Moravian Theatre Olomouc, Czech Republic / Ariano Vilar Suassuna: Testament of a Dog, or a Play About Our Lovely Mrs. Compassionate
- 2003 / Teatro Tatro, Nitra / Ondrej Spišák: Clowns Of All Countries, Unite! or Amore
- 2003 / Teatr Wybrzeże, Gdańsk, Poland / Tadeusz Słobodzianek: The Dream of a Bug, or Comrade Christ
- 2003 / Teatr Narodowy, Warsaw, Poland / Tadeusz Słobodzianek: Merlin. The Other History.
- 2003 / Karlovy Vary City Theatre, Czech Republic / Wolfgang A. Mozart, Emanuel Schikaneder: The Magic Flute
- 2004 / Radošina Naïve Theatre, Bratislava / Stanislav Štepka: The General
- 2004 / Old Theatre Nitra / Ondrej Spišák: The Biggest Lie
- 2004 / Teatr Lalka, Warsaw, Poland / Alexey Tolstoy, Ondrej Spišák: Buratino (The Golden Key)
- 2004 / Teatro Tatro, Nitra / Ondrej Spišák: Clowns Of All Countries, Unite! or Clowns
- 2004 / Old Theatre Nitra / John Ronald Reuel Tolkien, Ondrej Spišák: The Hobbit
- 2005 / Radošina Naïve Theatre, Bratislava / Stanislav Štepka: A Play About Love
- 2005 / Old Theatre Nitra / Zuzana Zemaníková, Ondrej Spišák: Tales From the Nitra Region
- 2005 / Teatro Tatro, Nitra / Tadeusz Słobodzianek: Prophet Ilya
- 2005 / Andrej Bagar, Nitra / István Tasnádi: Public Enemy
- 2005 / Old Theatre Nitra / Tomáš Pěkný: The Stone Raven
- 2006 / Radošina Naïve Theatre, Bratislava / Stanislav Štepka: The Ten Commandments
- 2006 / Old Theatre Nitra / Josef Čapek, Ondrej Spišák: All About Doggie and Pussycat
- 2006 / Laboratorium Dramatu, Warsaw, Poland / Tadeusz Słobodzianek: Malambo the Blacksmith
- 2007 / Old Theatre Nitra / Ondřej Sekora: Gotham
- 2007 / Slovak National Theatre, Bratislava / Karel Čapek: R.U.R.
- 2007 / Radošina Naïve Theatre, Bratislava / Stanislav Štepka: Creation of the World
- 2007 / Old Theatre Nitra / Edward Lear, Ondrej Spišák: How Many Strawberries Grow in the Sea?
- 2008 / Old Theatre Nitra / Pavol Dobšinský, Veronika Gabčíková, Ondrej Spišák: Godmother Death and the Miraculous Doctor
- 2008 / Old Theatre Nitra / Ondrej Spišák: Slovak Bethlehem
- 2008 / City Theatres of Prague (ABC Theatre), Prague, Czech Republic / Jiří Janků, Ondrej Spišák: Tristan and Isolde
- 2009 / Andrej Bagar Theatre, Nitra / William Shakespeare: King Lear
- 2009 / Baj Pomorski Theatre, Toruń, Poland / Jonathan Swift: Gulliver’s Travels
- 2009 / Summer Shakespeare Festival, Bratislava / William Shakespeare: Macbeth
- 2009 / Teatro Tatro, Nitra / Ondrej Spišák: The Magical Theatre Vending Machine
- 2009 / Radošina Naïve Theatre, Bratislava / Stanislav Štepka: It Is A Blank
- 2009 / Theatre Faculty of the Academy of Performing Arts (DISK Theatre), Prague, Czech Republic / Ondrej Spišák: Creation
- 2010/ Teatr na Woli im. Tadeusza Łomnickiego, Warsaw, Poland / Tadeusz Słobodzianek: Our Class
- 2010 / Karol Spišák’s Old Theatre in Nitra / Rudyard Kipling, Ondrej Spišák: The Jungle Book
- 2010 / Moravian-Silesian National Theatre, Ostrava, Czech Republic/ Marek Pivovar: A Comedy About The Devil’s Snares
- 2010 / Laboratorium Dramatu, Warsaw, Poland / Tadeusz Słobodzianek: Merlin. The Other History.
- 2010 / Karol Spišák’s Old Theatre in Nitra / Jozef Mokoš: Jánošík
- 2011 / Karol Spišák’s Old Theatre in Nitra / Julian Tuwim, Veronika Gabčíková, Ondrej Spišák: A Journey Into the Land of Tuwim
- 2011 / Teatr na Woli im. Tadeusza Łomnickiego, Warsaw, Poland / Kornel Makuszyński: Matolek the Little Goat
- 2011 / Radošina Naïve Theatre, Bratislava / Stanislav Štepka: They Just Came
- 2012 / ASTORKA Korzo ’90 Theatre, Bratislava / William Shakespeare: A Midsummer Night’s Dream
- 2012 / Summer Shakespeare Festival, Ostrava, Czech Republic / William Shakespeare: Love’s Labour’s Lost
- 2012 / Karol Spišák’s Old Theatre in Nitra / Bram Stoker, Veronika Gabčíková, Ondrej Spišák: Dracula
- 2012 / Drak Theatre, Hradec Králové, Czech Republic / Isaac Bashevis Singer, Dominika Špalková: Fortune and Misfortune
- 2012 / Teatr na Woli im. Tadeusza Łomnickiego, Warsaw, Poland / Tadeusz Słobodzianek: Prophet Ilya
- 2013 / Kőszegi Várszínház a Mesebolt Bábszínház, Hungary / Jorge Luis Borges: The Last Vacation and Salvation of Baltasar Espinosa
- 2013 / Teatro Tatro, Nitra / Mikhail Afanasievich Bulgakov, Ondrej Spišák: The Master and Margarita
- 2013 / Teatr Dramatyczny, Warsaw, Poland / Tadeusz Słobodzianek: Young Stalin. A Probable History.
- 2013 / Radošina Naïve Theatre, Bratislava / Stanislav Štepka: Out of the Blue
- 2014 / Karol Spišák’s Old Theatre in Nitra / Jakob and Wilhelm Grimm, Veronika Gabčíková, Ondrej Spišák: Hansel and Gretel
- 2014 / Slovak National Theatre, Bratislava / Ľubomír Feldek: How Timberbreaker Became King
- 2014 / Radošina Naïve Theatre, Bratislava / Stanislav Štepka: Glory
- 2015 / Drak Theatre, Hradec Králové, Czech Republic / Jan Amos Komenský, Marie Nováková, Dominika Špalková, Tomáš Žižka, Ondrej Spišák: The Labyrinth of the World and the Paradise of the Heart
- 2015 / Slovak National Theatre, Bratislava / Daniel Majling: The Labyrinths and Paradises of Jan Amos
- 2015 / Teatr im. Heleny Modrzejewskiej, Legnica, Poland / Peter Brook, Jean-Claude Carrière: The Conference of the Birds, based on a poem by Farid Uddin Attar
- 2015 / Dejvice Theatre Prague, Czech Republic / William Shakespeare: The Winter’s Tale
- 2016/ Teatro Tatro, Nitra / Daniil Charms, Ondrej Spišák: Circus Charms
- 2016 / Radošina Naïve Theatre, Bratislava / Stanislav Štepka: There’s No Fault
- 2017 / Radošina Naïve Theatre, Bratislava / Stanislav Štepka: Besame mucho
- 2018 / Teatro Tatro, Nitra / Boris and Arkady Strugatsky, Ondrej Spišák: Stalker
- 2018 / Slovak National Theatre, Bratislava / Sophocles: Antigone
- 2018 / Radošina Naïve Theatre, Bratislava / Stanislav Štepka: Little Big Man
- 2018 / New Theatre, Nitra / Roald Dahl: The Witches
- 2018 / Radošina Naïve Theatre, Bratislava / Stanislav Štepka: What Dwarves Dream Of
- 2019 / Slovak National Theatre, Bratislava / Chanoch Levin: A Winter Funeral
- 2022 / ASTORKA Korzo ’90 Theatre, Bratislava / Arthur Miller: A View from the Bridge
- 2021 / ASTORKA Korzo ’90 Theatre, Bratislava / Friedrich Dürrenmatt: A Dangerous Game
- 2021 / Teatro Tatro, Nitra / Collective work: Cabaret
- 2022 / Centre for Experimental Theatre, Brno, Czech Republic / Aglaja Veteranyi, Vladimír Fekar, Viktorie Knotková: Why the Child Is Cooking in the Polenta
- 2022 / ASTORKA Korzo ’90 Theatre, Bratislava / Silvester Lavrík: The Last Baroness
- 1994 / ASISTEJ Award of Jan Dorman and the “Atest” Award (Award of the highest artistic quality and level) for the creators of the production Robinson Crusoe
- 1994 / Grand Prix – Złoty Piernik Torunia (Golden Torun Gingebread) for Robinson Crusoe at the 1st Toruńskie Spotkania Teatrów Lalek festival (1stMeetings of Puppet Theatres in Torun)
- 1997 / ASISTEJ Award and the “Atest” Award (Award of the highest artistic quality and level) for the creators of the production Gulliver
- 2000 / Award for the direction of The Odyssey at the 7th Międzynarodowe Toruńskie Spotkania Teatrów Lalek festival (7th International Meetings of Puppet Theatres in Torun)
- 2000 / Award for the direction of Gulliver at the 33rd International Festival of Puppet Theatres PIF in Zagreb, Croatia (Međunarodni festival kazališta lutaka PIF)
- 2001 / Award for the direction of The Odyssey at the 34th International Festival of Puppet Theatres PIF in Zagreb, Croatia (Međunarodni festival kazališta lutaka PIF)
- 2006 / Award for the direction of Buratino at the 13th Międzynarodowe Toruńskie Spotkania Teatrów Lalek festival (13th International Meetings of Puppet Theatres in Torun)
- 2011 / The Warsaw Felix – award for best direction of the 2010/2011 season for Our Class produced at the Warsaw-based theatre Teatr na Woli
- 2012 / Main Prize “Broken Latch” at the 23rd International theatre festival “Without Borders” in Český Těšín for Our Class
- 2015 / Main Prize of the Tatrabanka Foundation for art; for the direction of The Master and Margarita