Blaho Uhlár
Profile
In 1974, Blaho Uhlár graduated from the Academy of Performing Arts, where he majored in theatre direction in the class of Igor Ciel, Jozef Palka, and Tibor Rakovský. He sparked much interest already with his graduation productions – Anton Chekhov’s The Wedding and Maxim Gorky’s Children of the Sun (1974). Between 1974 and 1989, he worked as a director in the newly established Theatre for Children and Youth in Trnava (the present Ján Palárik Theatre), where he focused on the development of artistic creativity and creative freedom. Afterwards, he got employed by the Ukrainian National Theatre in Prešov (the present Alexander Duchnovič Theatre), where he started his creative collaboration with the visual artist Miloš Karásek. Uhlár and Karásek established the Stoka Theatre in 1991. While working in Trnava, Uhlár started cooperating with the amateur performers of the DISK theatre company. Later on, he and the company created a whole series of remarkable productions, such as Amateurs (1987), So What? (1988), TANAP (1989), and PAT (Who are the pigs, 1990). In the early 1990s, the creative duo Uhlár-Karásek broke up. In 2006, the Stoka Theatre ceased to exist when its building was demolished to make room for the construction of the Eurovea shopping centre. Uhlár later founded the association named S.T.O.K.A., with which he has been producing independent theatre projects ever since. He has received numerous awards for his art. In 2007, he returned to the Trnava-based DISK company and established the DISK Trnava Theatre Studio. The productions made with the DISK team include such works as View (2007), Crawling (2007), Intake of Breath (2008), or Submersion (2009). They have been awarded with prizes at various amateur showcases.
Blaho Uhlár is one of the most outstanding personalities of independent devised theatre in Slovakia. His name is mainly associated with the work of the independent Stoka Theatre.
Uhlár’s work can divided into several stages. He was one of the first in-house directors at the Theatre for Children and Youth in Trnava, where he emphasized the importance of creativity and creative freedom. His work shaped the theatre’s further development. Already his first productions presented in Trnava – Dunno in the Sunny City (1975), Scapin the Schemer (1975) – Uhlár chose to adopt impressive and metaphorical movement expressivity using simple scripts. He fully expressed his inclination to improvised theatre, clown shows, and mime in his devised plays, such as Princess Maru (1979) and The Night of Miracles (1982). In a series of documentary scripts – Episode 39-44 (1979), Commune de Paris (1981), Laco Novomeský (1984), and The Mayakovsky Issue (1987) – Uhlár developed the anti-illusory expressivity of political theatre. The next stage of his work is characteristic for productions of the so-called classical repertory: The Inspector General (1978), Jožko Púčik and his Career (1979), Marriage (1980), Krechinsky’s Wedding (1981), or The Trial (1983). In these productions, Uhlár explored the conflict between an individual and a hypocritical society. A breaking point in the development of his art was the production Quintet (1985), which drew on Uhlár’s previous work and was created by means of a series of acting improvisations done using a brief director’s script. Uhlár then continued to focus more on devised theatre and collective creation. For Uhlár, devised theatre means total freedom of all participating artists – a liberation of the actor from a director’s control. This allows the whole ensemble to express itself freely and distinctively. This approach continued in his collaboration with the Ukrainian National Theatre (Kysak Station, 1988; Sens Nonsens, 1988; Vinegar, 1988), which allowed Uhlár to further develop and deepen his collective improvisation method. At the Ukrainian National Theatre, Uhlár’s collaboration with Miloš Karásek also produced the First and Second Theatre Manifesto, two documents in which the artists presented the theoretical starting points and working methods of their art, such as decomposition, fragmentation, discontinuity, randomization, and non-determinism. The essence of decomposition is the rejection of theatre conventions based on a written text, story, dialogue, and traditional means of expression. Uhlár continued using the collective creative improvisation method in the Stoka Theatre. One of the main attributes of Uhlár’s distinctive directorial style is the use and fostering of non-verbal and visual theatrical means of communication, for example, movement, gesture, facial expressions, music, or dance. Words are used only as aiding tools because action is the crucial means of expression. An equally important element used to create meaning is music – this includes music of diverse origin, usually used as a counterpoint to the action taking place on the stage.
- 1973 / Academy of Performing Arts in Bratislava / Alexander Sergeyevich Pushkin: Three Small Tragedies (Mozart and Salieri, The Stone Guest)
- 1973 / Academy of Performing Arts in Bratislava / Ondrej Šulaj, Blaho Uhlár: Front Theatre
- 1974 / Academy of Performing Arts in Bratislava / Anton Pavlovich Chekhov: The Wedding
- 1974 / Academy of Performing Arts in Bratislava, Bratislava / Maxim Gorky: Children of the Sun
- 1974 / Poetic Stage, Bratislava / Ján Štrasser, Blaho Uhlár: Poetic Children’s Eyes
- 1974 / Theatre for Children and Youth, Trnava / Osvald Záhradník: Jump Over Your Shadow
- 1975 / Theatre for Children and Youth, Trnava / Nikolai Nikolayevich Nosov: Dunno in the Sunny City
- 1975 / Theatre for Children and Youth, Trnava / Molière: Scapin the Schemer
- 1976 / Theatre for Children and Youth, Trnava / František Hrubín: Beauty And The Beast
- 1977 / Theatre for Children and Youth, Trnava / Alexander Petrovich Stein: Version
- 1977 / Theatre for Children and Youth, Trnava / Eugen Eschner: King Yergen
- 1978 / Theatre for Children and Youth, Trnava / Ivan Stodola: Jožko Púčik and his Career
- 1978 / Theatre for Children and Youth, Trnava / Nikolai Vasilievich Gogol: The Inspector General
- 1979 / Theatre for Children and Youth in Trnava / Ondrej Šulaj: Episode 39-44
- 1979 / Theatre for Children and Youth in Trnava / Blaho Uhlár: Princess Maru
- 1979 / Theatre for Children and Youth in Trnava / Alexander Valentinovich Vampilov: Farewell in June
- 1980 / Theatre for Children and Youth in Trnava / Nikolai Vasilievich Gogol: Marriage
- 1980 / Theatre for Children and Youth in Trnava / Vladimír Bednár, Tomáš Janovic: The Key Kingdom
- 1981 / Theatre for Children and Youth in Trnava / Ondrej Šulaj: Commune de Paris
- 1981 / Theatre for Children and Youth in Trnava / Alexander Vasilievich Sukhovo-Kobylin: Krechinsky’s Wedding
- 1982 / Theatre for Children and Youth in Trnava / Stanislav Stratiev: The Suede Jacket
- 1982 / Regional Puppet Theatre in Banská Bystrica / Blaho Uhlár: Big Karbus Barbus
- 1982 / Theatre for Children and Youth in Trnava / Blaho Uhlár: The Night of Miracles
- 1983 / Theatre for Children and Youth in Trnava / Alexander Vasilievich Sukhovo-Kobylin: The Trial
- 1983 / Jonáš Záborský Theatre in Prešov / Blaho Uhlár: Princess Maru
- 1983 / Theatre for Children and Youth in Trnava / Ann Jellicoe: The Knack
- 1984 / Theatre for Children and Youth in Trnava / Enn Vetemaa: Dinner for Five
- 1984 / Theatre for Children and Youth in Trnava / Molière: Tartuffe
- 1984 / Theatre for Children and Youth in Trnava / Alexandre Chkeidze: A Free Theme
- 1984 / Theatre for Children and Youth in Trnava / Blaho Uhlár, Mikuláš Fehér: Laco Novomeský
- 1985 / Theatre for Children and Youth in Trnava / Voltaire: L’Ingénu
- 1985 / Theatre for Children and Youth in Trnava / Blaho Uhlár: Quintet
- 1986 / Theatre for Children and Youth in Trnava / Dušan Mitana, Blaho Uhlár: Endgame
- 1986 / Theatre for Children and Youth in Trnava / Blaho Uhlár: About a Drummer
- 1987 / PRAK Theatre, Bratislava / Vladimír Raiman: Stolen Music
- 1987 / Regional Puppet Theatre in Banská Bystrica / Blaho Uhlár: The Dead Kingdom
- 1987 / Theatre for Children and Youth in Trnava / Jana Juráňová, Blaho Uhlár: The Mayakovsky Issue
- 1987 / Theatre for Children and Youth in Trnava / Blaho Uhlár: Where the North Is
- 1988 / Ukrainian National Theatre in Prešov / Blaho Uhlár, Vasiľ Turok: Kysak Station
- 1988 / Ukrainian National Theatre in Prešov / Blahoslav Uhlár, Miloš Karásek: Sense Nonsense
- 1988 / New Stage Theatre, Bratislava / Luigi Pirandello: Six Characters in Search of an Author
- 1988 / DISK Trnava / Blaho Uhlár et al.: So What?
- 1988 / Ukrainian National Theatre in Prešov / Miloš Karásek, Blaho Uhlár: Vinegar
- 1989 / DISK Trnava / Blahoslav Uhlár, Miloš Karásek et al.: TANAP
- 1989 / Theatre for Children and Youth in Trnava / Blaho Uhlár: The Penultimate Supper
- 1990 / Ukrainian National Theatre in Prešov / Miloš Karásek, Blaho Uhlár: Heartburn
- 1990 / DISK Trnava / Blahoslav Uhlár, Miloš Karásek et al.: PAT (Who Are the Pigs)
- 1991 / Alexander Duchnovič Theatre in Prešov / Blaho Uhlár, Miloš Karásek: Please!
- 1991 / STOKA Theatre, Bratislava / Blaho Uhlár, Miloš Karásek: Collapse
- 1991 / DISK Trnava / Blaho Uhlár et al.: Ad Libitum (Stories from Higher Society)
- 1991 / STOKA Theatre, Bratislava / Collective work: Impasse
- 1991 / STOKA Theatre, Bratislava / Blaho Uhlár: How Beautiful You are…
- 1991 / STOKA Theatre, Bratislava / Blaho Uhlár, Miloš Karásek: I Greet You, Forests, from a Mountain
- 1991 / STOKA Theatre, Bratislava / Blaho Uhlár, Miloš Karásek: Hommage a Freddie
- 1991 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Deep Enough
- 1992 / STOKA Theatre, Bratislava / Blaho Uhlár: Pasule 1/92
- 1992 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Blind Man’s Buff
- 1992 / STOKA Theatre, Bratislava / Blaho Uhlár: Pasule 2/92
- 1992 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Heather
- 1992 / DISK Trnava / Blaho Uhlár: Poverty, or the End of Theatre in the town of T
- 1992 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Donarium
- 1993 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Haptics
- 1993 / STOKA Theatre, Bratislava / Ingrid Hrubaničová: Nobody, but a Seagull Will Dip Its Feet in My Tears
- 1994 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Eo Ipso
- 1995 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Nox
- 1997 / Spiš Theatre, Spišská Nová Ves / Blaho Uhlár: Princess Maru
- 1997 / STOKA Theatre, Bratislava / Collective work: Monodramas
- 1997 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Faces
- 1998 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Bottom
- 1998 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Falling Through
- 1999 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Outtahere
- 1999 / STOKA Theatre, Bratislava / Blaho Uhlár, Lucia Piussi: From a Distance
- 2002 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Commission
- 2002 / STOKA Theatre, Bratislava in collaboration with the Science Project New York / Blaho Uhlár, Laco Kerata, Erika Lasková, Lucia Piussi, Oleg Dubson, Gregory Ford, Eli Rarey, Lauren Urquhart: I Was Innocent
- 2003 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Gala
- 2003 / Alexander Duchnovič Theatre in Prešov / Blaho Uhlár: Apparition
- 2004 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Loss, or Multimedia Vomit
- 2005 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Breakthrough
- 2006 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Takeoff
- 2007 / DISK Trnava / Blaho Uhlár et al.: Outlook
- 2007 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Reduction (onceagain)
- 2007 / DISK Trnava / Blaho Uhlár et al.: Crawling
- 2008 / Alexander Duchnovič Theatre in Prešov / Blaho Uhlár et al.: Credit Note
- 2008 / DISK Trnava / Blaho Uhlár et al.: Intake of Breath
- 2008 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Dialogues (Authentic Minimum)
- 2008 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Input
- 2009 / DISK Trnava / Blaho Uhlár et al.: Submersion
- 2009 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Escape
- 2009 / STOKA Theatre, Bratislava and DISK Trnava/ Blaho Uhlár et al.: Impact
- 2010 / DISK Trnava / Blaho Uhlár et al.: Polylogue (The Flow of Time)
- 2010 STOKA Theatre, Bratislava and DISK Trnava / Blaho Uhlár et al.: Organon
- 2010 / STOKA Theatre, Bratislava and DISK Trnava / Blaho Uhlár et al.: Margin
- 2011 / DISK Trnava / Blaho Uhlár et al.: Status (Theatre, Passion, Love, Solitude)
- 2011 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Experiment
- 2012 / Alexander Duchnovič Theatre in Prešov / Ladislav Smoček: The Peculiar Afternoon of Dr. Zvonko Burke
- 2012 / STOKA Theatre, Bratislava / Charles Bukowski: Erections, Ejaculations, and Other Stories of Ordinary Madness
- 2012 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Uncertain Ground
- 2012 / DISK Trnava / Blaho Uhlár et al.: Solitudo
- 2013 / City Theatre Žilina / Blaho Uhlár: Expand
- 2013 / DISK Trnava / Blaho Uhlár et al.: Opulent Pig
- 2013 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Firm Tray
- 2014 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Victory
- 2014 / Alexander Duchnovič Theatre in Prešov / Franz Kafka: Amerika
- 2015 / DISK Trnava / Blaho Uhlár et al.: Survival
- 2015 / STOKA Theatre, Bratislava / Ivana Gibová: Borderline
- 2015 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Criterion
- 2015 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Intim
- 2016 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Projectile
- 2016 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Wellness
- 2017 / DISK Trnava / Blaho Uhlár et al.: Continuo
- 2017 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Re re re...
- 2017 / DISK Trnava / Blaho Uhlár et al.: Pavement
- 2017 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Postfactotum
- 2018 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: 29 ½
- 2018 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Oumuamua
- 2018 / DISK Trnava / Blaho Uhlár et al.: Obolus
- 2018 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Virus
- 2019 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Shift
- 2019 / DISK Trnava / Blaho Uhlár et al.: Tertium non Datur
- 2019 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Disaster
- 2020 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Arrokoth
- 2021 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Prego
- 2021 / DISK Trnava / Blaho Uhlár et al.: New Space
- 2021 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Alea Iacta
- 2022 / DISK Trnava / Blaho Uhlár et al.: Stayin’ Alive
- 2022 / STOKA Theatre, Bratislava / Blaho Uhlár et al.: Endocanabinoid
- 2022 / DISK Trnava / Blaho Uhlár et al.: Cholesterol
- 1993 / Festival Mimos ’93 Périgueux, France – Critics’ Award for the production Impasse
- 1998 / Divadelná Nitra ’98 – Best Direction of the Season Award for the production Faces
- 1998 / Dosky Award in the Best Direction category for the production Faces, Stoka Theatre
- 2012 / Grand Prix of the Nová dráma/New Drama festival for the video production Experiment (In Search of Spirituality)