Ľubomír Burgr
Profile
Ľubomír Burgr graduated as a violinist from the Košice Conservatory. After completing his studies, he played the violin for the Jonáš Záborský Theatre in Prešov between 1985 and 1990. In 1986, he founded the legendary band Ali ibn Rachid with double bass player Martin Marinčák. In 1999, he graduated from the Academy of Performing Arts in Bratislava where he majored in composition under Professor Ivan Parík. In 1991, he became a member of the Stoka Theatre, where he worked as an actor, musician, and composer. Since 1995, he has been a member of the Požoň Sentimental chamber orchestra and the group Vapori del Cuore, which plays improvised music. Burgr composes music for orchestra, solo instruments, as well as instrumental compositions. He has composed music for numerous theatre productions. He composed music for the plays by Blaho Uhlár and Miloš Karásek produced for the Theatre for Children and Youth in Trnava (The Penultimate Supper, TANAP), in Prešov (Vinegar), or the Na Kopánke Theatre in Trnava. He contributed as a composer and author also to the plays of the Stoka Theatre (Impasse, Donarium, Deep Enough, Heather, Nobody, but a Seagull Will Dip Its Feet in my Tears). Burgr’s musical production includes also chamber compositions A Scream in the Dark (2002), Out of Picture (2003). In 2000, he teamed up with former members of Stoka (Martin Burlas, Monika Čertezni, Ingrid Hrubaničová, Márius Kopcsay, Zuzana Piussi) to establish the Association for Contemporary Opera, an independent platform to produce and present original and unconventional Slovak operas. Burgr successfully transferred the poetics of the Stoka Theatre to his experimentation with the opera genre. For the Association for Contemporary Opera, he composed original Slovak operas Death in the Kitchen (2000) and Tête-à-tête (2002). The SkRAT Theatre then drew on the activities of the Association. In 2003, Burgr co-founded the A4 – Zero Space, a centre for contemporary culture, where he has been the artistic and production director, as well as a dramaturg of the SkRAT Theatre. As a director, he has collaborated with the independent Theatre on the Platform.
Ľubomír Burgr is one of the most outstanding representatives of Slovak independent theatre. His name is connected primarily with the Stoka Theatre and the SkRAT Theatre, in which he works as an actor, director, and composer. In his work, he draws on the concept of collective authorship and creative improvised dialogue. He considers contemporary devised texts to be more authentic and considers them to provide a reflection on the present times. The first productions he directed (The Dam, 2000; What Tomorrow Will Bring, 2001) addressed themes that were typical for the Stoka Theatre and relied on its poetics (communication and identity crisis, searching for love, loneliness). From introspective productions that addressed the tragic existence of individuals, Burgr and the devising team of SkRAT turned their attention to social topics, offering a look at the society from a broader perspective and from an engaged distance (The Sad Life of Ivan T., 2006, Interior of the Interior, 2013). The productions are characteristic for their use of tragicomedy, hyperbole, dark humour, and poetics of fragmentation. Music is an important, functional theatrical element – it is linked to the expressivity of spoken word, gesture, facial expression, and movement. A typical feature is the establishment of absurd situations, deliberate trivialization of the text, and a specific language based on aesthetization of its spoken and vulgarized form. Burgr most frequently collaborates with the creative team of SkRAT – Vlado Zboroň, Milan Chalmovský, Lucia Fričová, Vít Bednárik, Daniela Gudabová, among others.
- 2000/ Association for Contemporary Opera, Bratislava / Collective work: The Dam
- 2000 / Association for Contemporary Opera, Bratislava / Ľubomír Burgr: Death in the Kitchen
- 2001 / Association for Contemporary Opera, Bratislava / Ľubomír Burgr, Ladislav Kerata, Zuzana Ožvoldíková, Vlado Zboroň, Dušan Vicen: Windows, Shores, Inheritance
- 2001 / Association for Contemporary Opera, Bratislava / Ľubomír Burgr, Marek Kravjar, Zuzana Piussi, Vladimír Zboroň, Jozef Piaček: What Tomorrow Will Bring
- 2001 / Association for Contemporary Opera, Bratislava / Daniel Matej: John King
- 2002 / Association for Contemporary Opera, Bratislava / Ľubomír Burgr, Miloš Karásek: Tête-à-tête
- 2003 / SkRAT Theatre, Bratislava / Ľubomír Burgr et al.: Guinea Pig
- 2004 / SkRAT Theatre, Bratislava / Ľubomír Burgr et al.: The Hungry Do Not Believe in the System
- 2005 / SkRAT Theatre, Bratislava / Ľubomír Burgr et al.: Paranoia
- 2006 / SkRAT Theatre, Bratislava / Ľubomír Burgr et al.: The Sad Life of Ivan T.
- 2009 / SkRAT Theatre, Bratislava / Vít Bednárik, Ľubomír Burgr, Daniela Gudabová, Inge Hrubaničová, Milan Chalmovský, Zuzana Piussi, Dušan Vicen, Vlado Zboroň: Remains
- 2011 / Theatre on the Platform, Košice / Jana Micenková: Fasbuk
- 2012 / SkRAT Theatre, Bratislava / Ľubomír Burgr, Vít Bednárik, Daniela Gudabová, Milan Chalmovský, Danica Matušová, Vlado Zboroň: Delusion
- 2013 / SkRAT Theatre, Bratislava / Ľubomír Burgr, Dušan Vicen: Interior of the Interior
- 2017 / SkRAT Theatre, Bratislava / Ľubomír Burgr, Vladimír Zboroň, Milan Chalmovský, Lucia Barcziová: Project Onegin
- 2018 / SkRAT Theatre, Bratislava / Ľubomír Burgr, Milan Chalmovský, Vladimír Zboroň: MONO-STEREO-SURROUND
- 2019 / SkRAT Theatre, Bratislava / Ľubomír Burgr et al.: Shadows of Doubt
- 2021 / SkRAT Theatre, Bratislava / Ján Belica, Milan Chalmovský, Ľubomír Burgr: Aristocrats. Stories from a Better Society
- 2007 Best Dramaturgy Award at the Nová dráma/New Drama festival for the play The Sad Life of Ivan T.
- 2016 Grand Prix, Bratislava Audience Award at the Nová dráma/New Drama festival for the production Extracts and Substitutes