Lucia Kašiarová
Profile
Lucia Kašiarová (1981) as a performer, dancer, and pedagogue, she holds dance as a source of inspiration for one’s life. In her art, she cherishes improvisation and coincidence. After graduating from Ján Levoslav Bella Conservatory in Banská Bystrica, she studied modern dance pedagogy at the Music and Dance Faculty, Academy of Performing Arts in Bratislava, and then also at the Academy of Arts in Prague. In 2002, while still a student at the Academy of Performing Arts, her production The Three of Us – My Try won an award at the international festival Saitama Dance Contest in Tokyo, Japan. Kašiarová is one of the co-founders of the professional dance theatre company known as the Dance Studio in Banská Bystrica. She worked for the studio for four seasons.
Since 2005, she has been an independent artist and worked on devised projects as well as research about movement in art. She is the laureate of the Czech dance platform’s 2012 Dancer Award. She has run her own choreographic projects and cooperated with eminent Slovak, Czech, and international choreographers, including Zuzana Ďuricová Hájková, Petra Fornayová, Julyen Hamilton, Milli Bitterli, Paul Wenninger, Oleg Soulimenko, Jaro Viňarský, Tereza Ondrová, Viliam Dočolomanský, David Zambrano, Peter Šavel, Stano Dobák, Jozef Fruček, Csaba Molnár, Mirka Eliášová, Tina Mantel, Milan Kozánek, among others. She has also collaborated on interdisciplinary projects with such directors as Anna Hlaváčová, Štěpáno Pácl, Petra Tejnorová, Michal Vajdička, Braňo Holička, Vanda Hybnerová, Pavel Khek, and Peter Machajdík.
Since 2007, she has been the director of ALT@RT, and since 2008, of the creative space Studio ALTA in Prague. Under Kašiarová’s leadership, the studio established itself as a professional, open platform focused mostly on the presentation of contemporary art and dance, as well as multi-genre projects. Since 2017, Studio ALTA has been a member of the Trans Europe Halles association of cultural centres and has been involved in numerous Czech and international projects. Studio ALTA is also actively involved in the creation of cultural policies, provides a background for local communities of various types and interests, and acts as an artistic residency centre. In 2018, Kašiarová won the Jiří Opěla Award given by the Czech Dance Platform in the Manager of the Year category.
In 2009–2020, she was the director of the festival of Slovak contemporary dance in the Czech Republic known as HYBAJ HO! The festival’s aim is not only to present Slovak art in the Czech Republic, but also to initiate a vibrant Czecho-Slovak cultural exchange, foster broad collaboration in art and dance, and catalyze mutual interference and creative excitement. The festival’s The activities not only have an impact on the dance creative environment of both countries, but also significantly influence the perception of institutionalization and the creation of a sustainable infrastructure for Slovak contemporary dance. Studio ALTA and especially the festival of Slovak contemporary dance HYBAJ HO! have also become a venue for Czecho-Slovak co-production projects and productions by Slovak artists living and working in Prague. In 2007–2017, Lucia Kašiarová was the artistic director of the Kašpar’s Kolín Mimoriál festival, an event carrying the legacy of the Czech-born mime Jean Gaspard Deburau. It is a festival of non-verbal and movement theatre in the Kolín region. Kašiarová is also a member of various cultural and grant committees in the Czech Republic and Slovakia, and is a member of the board of Dance Vision, a union organization of contemporary dance. At present, her greatest challenge is to find the differences and broader contexts in the management and creation of art programmes in both established as well as independent organizations.
Lucia Kašiarová’s art oscillates between provocative and socially engaged devised work, interdisciplinary management of the community discussion space, and a supportively confrontational style of dramaturgy of production projects.
In 2022-2025 she was the director of the Dance Studio Theatre in Banská Bystrica. She took over the position after the studio’s founder Zuzana Ďuricová Hájková. Notwithstanding the pitfalls of democracy applied in the theatre environment, she extended the operating concept by sharing competences and participation of the whole team in the vision, its realisation and implementation. Recently, she has been working simultaneously at Studio ALTA in Prague and at the Dance Studio Theatre in Banská Bystrica.
Lucie Kašiarová’s work is characteristic for its warm authenticity, almost animal vitality, unbridled liveliness of expression, and kindness. In her choreographies she goes to the core of very personal themes. With full responsibility and in a boldly irritating (in a positive sense) way, she reflects on pressing social and societal challenges. Her artistic work is wide-ranging, and she chooses artists to collaborate with who are open to exploration and see art as a path to knowledge and the building of a healthy society. As a producer and artist, she supports the domestic and international work of people who sincerely seek a path to self-discovery and reflect on the world they live in. She sees art as a means of personal experience that encourages society to be active.
Kašiarová’s collaboration with Jaro Viňarský when establishing the theatre in Studio ALTA in Prague resulted in the production Hearts Like Shot Birds (2007, Ponec – Dance Theatre, Prague). The fragmented story of two people in the moving images takes place in a light-distorted spatial perspective. It is the story of two people, two bodies in which any mechanical or automatic logic is completely absent – logic according to which we often think, judge, and identify with someone or something, define ourselves, and relate to the world around us. The couple meets in not meeting, incapable of blending their contact into a relationship according to experienced normativities. Their relationship is exclusively based on sharing its anomalies. They find this kind of partnership in otherness and exclusion from the general to be sufficient to develop a feeling that everything is all right.
At the Garden – Centre of Independent Culture in Banská Bystrica, Kašiarová worked with performer and musician Peter Machajdík to produce the project Area (2014), in which they presented a kaleidoscopic reality of the world. Peter Machajdík created a vivid and complex range of sounds, rich in its variability and full of worrying contrasts. Kašiarová’s choreography provoked the audiences because of its intangibility, disturbing the spectators’ comfort as isolated observes. The superficiality and fragmentation of the commentaries in the project drowns out reality itself with its dynamism and intensity. Kašiarová uncovers a paradox in the excessive degree of spiritedness shown in the frivolous picking of possibilities in the face of the lived laxity of resignation in decision-making and action.
In 2022, at the Studio Alta in Invalidovna (Karlín, Prague), Kašiarová presented her solo performance entitled Multividual. In one story, the variable points of view and plays with their diversity merged into one in the personality of the performer Lucia Kašiarová. The performative concert was fine-tuned by the dramaturgy of Jiří Šimek and Sára Arstein. Functionality and its principles of action and reaction, theory and the raw reality of practice, dance, and movement – all of these elements became the material and framework for the performative production. The used sound research (Tomáš Vtípil), generating the movement of a body in a given space, evoked experimentation with the theremin. This imbued the project with a strong experimental element that largely affected the viewers’ perception. Such sound design used in a classical stage context felt disturbing and stirred curiosity. It became part of the action onstage, establishing a sub-dimension of its own participation in the performance solo. The performers movement was unusually supple, animalistic and plastic, while always joyfully unbound by convention. It erased the boundaries between “ad absurdum” variability and the authenticity in the performers personal testimony. The visual aspect of the piece, created by Magdalena Vrábová, immersed the action into a surreal, dream-like poetics of space, devoid of time or delineation. During the performance, Kašiarová let her mind – as well as the minds of the spectators – explore all possibilities and experience different variations of existence. The term “multividual,” which gave the production its title, is the opposed meaning to the word “individual,” and expression of the phenomenon of interconnection and inclusiveness of communities, indeed inclusion in its most general and all-embracing form. The meticulously set concept of her projects provides ample room for situational interaction and improvisation. She elevates everyday banalities and otherness with big messages, thus intertwining artistic stylization with the reality of life. Kašiarová works closely with the creative production team, whether it is at the level of choreographic collaboration, in creating the visual concept, or in composing the stage music. The present media are mutually aligned and fully integrated into the dramaturgical structure. Avoiding intentional embellishment in her projects, she paradoxically reveals the beauty of the fragility and vulnerability of people, and the world around us.
(author: Monika Čertezni, published online, 2025)
2002 – The Three of Us – My Try, choreography: Lucia Kašiarová, Renata Bubniaková, Stanislava Vlčeková. Premiere: 12th international festival Saitama Dance Contest – Tokyo, Japan; Aréna Theatre, Bratislava
2003 – In the Shadow of Cathedrals, Anavim, directed by: Anna A. Hlaváčová, choreography: Lucia Kašiarová. Premiere: Main Square, Bratislava
2004 – Mrachtry, The Three of Us – My Try, choreography: Lucia Kašiarová, Renata Bubniaková, Stanislava Vlčeková. Premiere: Aréna Theatre, Bratislava
2005 – ALA, or to Live or Not to Live, DuWaDance, Altart, choreography: Lucia Kašiarová. Jaro Viňarský, Tomáš Krivošík. Premiere: Alfréd ve dvoře, Prague, Czech Republic
2005 – Sapro – Agapé; DuWaDance, Altart, choreography: Lucia Kašiarová. Jaro Viňarský, Tomáš Krivošík. Premiere: Alfréd ve dvoře, Prague, Czech Republic
2007 – Hearts Like Shot Birds, Ponec – Dance Theatre, Altart, choreography: Lucia Kašiarová, Jaro Viňarský. Premiere: Ponec – Dance Theatre, Prague, Czech Republic
2007 – ALA III, Studio ALTA , choreography: Lucia Kašiarová. Premiere: Studio ALTA, Prague, Czech Republic
2008 – ALA II, Studio ALTA, choreography: Lucia Kašiarová. Premiere: Studio ALTA, Prague, Czech Republic
2011 – fyz, choreography: Lucia Kašiarová. Premiere: A4 Bratislava
2013 – LA Diva, Studio ALTA, choreography: Lucia Kašiarová. Premiere: Studio ALTA, Prague, Czech Republic
2013 – Edge, Studio ALTA, choreography: Lucia Kašiarová. Premiere: Studio ALTA, Prague, Czech Republic
2014 – Imago, Studio ALTA , choreography: Lucia Kašiarová. Premiere: Studio ALTA, Prague, Czech Republic
2014 – Death, Studio ALTA, choreography: Lucia Kašiarová. Premiere: Studio ALTA, Prague, Czech Republic
2014 – He-Angels, Studio ALTA , choreography: Lucia Kašiarová. Premiere: Studio ALTA, Prague, Czech Republic
2015 – Area, Garden – Centre of Independent Culture, choreography: Lucia Kašiarová. Premiere: Garden – Centre of Independent Culture, Banská Bystrica
2015 – She-Angels, Studio ALTA, choreography: Lucia Kašiarová. Premiere: Studio ALTA, Prague, Czech Republic
2016 – Eau de Vie, danceWATCH / Karolína Hejnová, choreography: Lucia Kašiarová, Peter Šavel. Premiere: Studio ALTA, Prague, Czech Republic
2018 – Eau de Vie Concert, danceWATCH / Karolína Hejnová, choreography: Lucia Kašiarová, Peter Šavel. Premiere: Studio ALTA, Prague, Czech Republic
2021 – Multividual, Ufftenživot, Studio ALTA, directed and choreography by: Lucia Kašiarová. Premiere: Studio ALTA, Prague, Czech Republic