Katarína Aulitisová
Profile
Katarína Aulitisová (1964) is a puppetry graduate from the Theatre Faculty of the Academy of Performing Arts in Prague. She concluded her study at the Department of Puppetry with a diploma thesis entitled The Work Method in the Puppet Theatre DRAK, Taking into Account My Own Experience as a Puppet Actor in this Theatre. Between 1986 and 1988, she was a member of the ensemble of the East Bohemian Puppet Theatre DRAK in Hradec Králové. For two seasons (from 1988 until 1990) she was a member of the State Puppet Theatre in Bratislava (the present Bratislava Puppet Theatre). Together with her husband, the actor, puppeteer, and mime Ľubomír Piktor, she left the theatre shortly after the Velvet Revolution to establish the PIKI Theatre. Most of their work was dramaturgically bold and inventive, for example, one of the first productions entitled The Nine Months (1993) – a story about human prenatal development, or Madame Declaration (1996) – a production about the charter of the rights of a child. In the more than thirty years of its existence, the PIKI Theatre, toured dozens of festivals in Europe, as well as outside of the continent, where it won numerous awards. Between 1999 and 2008, Aulitisová and Piktor produced the very popular programme Ela Hop! for the Slovak Television (the present Slovak Radio and Television).
Since 2006, Aulitisová has worked as a director also for other theatres, not just the PIKI Theatre. She did her first production in an established, bricks-and-mortar theatre in the Slovenian Lutkovno gledališče in Maribor. After that, she presented several impressive and progressive puppet productions for children and teenagers in Slovak puppet theatres: Esio Trot (Puppet Theatre Žilina, 2008), The Stuck Jacket (Bratislava Puppet Theatre, 2011), Stories of Walls (Bratislava Puppet Theatre, 2018), Philemon, or Let’s Go Home at Brrrrreakneck Speed (Puppet Theatre Žilina, 2019), Tales of the Little Fat Fairy (Bratislava Puppet Theatre, 2020), RoundAround (Bratislava Puppet Theatre, 2022), among others. At present, Katarína Aulitisová is a member of the independent PIKI Theatre. Since 2012, she has been working as a pedagogue at the Department of Puppetry, Theatre Faculty of the Academy of Performing Arts, and since 2017 she has been the artistic director of the Bratislava Puppet Theatre.
Katarína Aulitisová’s poetics was mostly shaped during her studies the Theatre Faculty of the Academy of Performing Arts in Prague. She was influenced by the Prague cultural environment of the 1980s and 1990s, and especially her cooperation with the creative team Josef Krofta – Petr Matásek – Jiří Vyšohlíd, as well as the artists of what was then the East Bohemian Puppet Theatre DRAK in Hradec Králové. In the PIKI Theatre, together with her husband and artistic partner Ľubomír Piktor, Aulitisová built her own theatrical language by combining her puppetry, movement and musicianship skills. The cornerstones of their poetics are dramaturgy without infantilism, extensive experience with clowning and pantomime, inventiveness, dynamics and professional puppetry skills. They have staged sixteen productions for children based mainly on great literary texts. They communicated with the children’s audience with humour and with an appreciation for mischief and naughtiness. From such well known, and very skilfully rendered stories as Chin Chin (1990) or Pippi (1991), they moved on to stories in which child protagonists have to overcome more serious obstacles, for example, The Friendly Stray (2012), The Egg Grandma (2015), and The Tin Mina (2021).
With the PIKI Theatre, Aulitisová produced small, intimate shows with two performers. The same was the case also in her first productions in state-established theatres. However, as time went by, her directorial portfolio grew to include formally and thematically more demanding productions – The Best of All Worlds (Bratislava Puppet Theatre, 2016), Tracy’s Tiger (Puppet Theatre Žilina, 2016), Stories of Walls (Bratislava Puppet Theatre, 2018), as well as works directed as part of her pedagogical work. The remarkable project Start the Evacuation (2014) – performed with the students of the Department of Puppetry at the Academy of Performing Arts and other schools in the dilapidated manor house in Radvaň – reflected on the seventieth anniversary of the Slovak National Uprising. Aulitisová’s pedagogical work as a director has included a broad range of productions – from the minimalist rendering of J. P. Sartre’s short stories entitled The Wall (2015) to her class production created by puppetry means of expression called The Big Journey of Hair and Beard (2022).
Aulitisová’s signature as a director was developed also in cooperation with the visual artists Markéta Plachá and later Ivana Macková. Her current work is open to influences from other art forms (contemporary dance, new circus); some of her productions emphasize movement. She breaks down stereotypical ideas about puppet theatre, her communication with the children’s audience is not infantile and at the same time it is clear from her work that it is possible to communicate with adolescents and adults through the means of puppet theatre as well.
- 1990 / PIKI Theatre Pezinok / Ľudmila Podjavorinská, Katarína Aulitisová, Ľubomír Piktor: Chin-Chin
- 1991 / PIKI Theatre Pezinok / Astrid Lindgren, Katarína Aulitisová, Ľubomír Piktor: Pippi
- 1992 / PIKI Theatre Pezinok / Daniel Hevier: Bedtime Stories
- 1993 / PIKI Theatre Pezinok / Taťjana Lehenová, Katarína Aulitisová: The Nine Months
- 1995 / PIKI Theatre Pezinok / Jozef Mokoš: Game
- 1995 / PIKI Theatre Pezinok / Katarína Aulitisová: When Mum’s Not at Home
- 1996 / PIKI Theatre Pezinok / Katarína Aulitisová, Ľubomír Piktor: Madame Declaration
- 1998 / PIKI Theatre Pezinok / Dušan Taragel, Katarína Aulitisová: Little Beasts
- 1998 / PIKI Theatre Pezinok / Radka Reviľáková: Christmas Eve
- 2000 / PIKI Theatre Pezinok / Ľubomír Piktor: Ela and Hop
- 2005 / PIKI Theatre Pezinok / Roald Dahl, Katarína Aulitisová, Ľubomír Piktor: My Friend, the Giant
- 2006 / Lutkarnica Theatre, Slovenia / Katarína Aulitisová: The Dog and the Cat
- 2007 / Lutkovno gledališče Maribor, Slovenia / Astrid Lindgrenová, Katarína Aulitisová: Pippi Longstocking
- 2008 / Lutkovno gledališče Ljubljana, Slovenia / Katarína Aulitisová: The Sleeping Beauty
- 2008 / Puppet Theatre Žilina / Roald Dahl, Katarína Aulitisová: Esio Trot
- 2008 / Hiša otrok, Ljubljana, Slovenia / Taťjana Lehenová, Katarína Aulitisová: The Nine Months
- 2009 / PIKI Theatre, Pezinok / Katarína Aulitisová: The Dairy Tale
- 2010 / PIKI Theatre, Pezinok and the City Museum Bratislava / Katarína Aulitisová: Ela, Hop Off to the Museum!
- 2011 / Bratislava Puppet Theatre/ Miloš Macourek, Katarína Aulitisová: The Stuck Jacket
- 2012 / PIKI Theatre, Pezinok / Daniel Pennac, Katarína Aulitisová: The Friendly Stray
- 2013 / Academy of Performing Arts in Bratislava / Aglaja Veteranyi, Katarína Aulitisová, Klára Jediná: Why Is the Child Boiling in the Mush
- 2014 / Academy of Performing Arts in Bratislava / Lev Nikolayevich Tolstoy, Peter Tilajčík, Katarína Aulitisová: Kholstomer
- 2014 / Puppet Bystrica Festival, KBT DF VŠMU Bratislava, AFD JAMU Brno, J. L. Bella Conservatory in Banská Bystrica / Katarína Aulitisová, Markéta Plachá et al.: Start the Evacuation
- 2015 / Academy of Performing Arts in Bratislava / Jean Paul Sartre: The Wall
- 2015 / Academy of Performing Arts in Bratislava / Kate diCamillo: The Miraculous Journey of Edward Tulane
- 2015 / PIKI Theatre, Pezinok / Iva Procházková, Katarína Aulitisová: The Egg Grandma
- 2015 / LEČO Theatre, Bratislava / Erik Jakub Groch, Katarína Aulitisová: The Little Tramp and Klara
- 2016 / Bratislava Puppet Theatre/ Irena Brežná, Katarína Aulitisová: The Best of All Worlds
- 2016 / Puppet Theatre Žilina / William Saroyan, Katarína Aulitisová: Tracy’s Tiger
- 2018 / Bratislava Puppet Theatre/ Michael Reynolds, Andrea Camillieri, Oľga Tokarczuk, Heinrich Böll, Didier Daeninckx, Katarína Aulitisová: Stories of Walls
- 2019 / Puppet Theatre Žilina / Jana Šrámková, Katarína Aulitisová: Philemon, or Let’s Go Home at Brrrrreakneck Speed
- 2020 / Bratislava Puppet Theatre/ Jiří Dědeček, Katarína Aulitisová: Tales of the Little Fat Fairy
- 2020 / Bratislava Puppet Theatre/ team of authors: A Garden Never Sleeps
- 2021 / PIKI Theatre, Pezinok / Pavel Hrnčíř, Katarína Aulitisová: The Tin Mina
- 2022 / Academy of Performing Arts in Bratislava / František Skála and the creative team: The Big Journey of Hair and Beard
- 2022 / Bratislava Puppet Theatre/ Katarína Aulitisová: RoundAround
- 2023 / Bratislava Puppet Theatre/ Rudolf Král, Katarína Aulitisová: Vincent and the Gale
- 1999 / Main Prize of the International festival Spectaculo interesse, Ostrava, Czech Republic, for the production Little Beasts
- 1999 / 25 Golden Stars Award at the festival Poletni lutkovni pristan, Maribor, Slovenia, for the production Little Beasts
- 1999 / Golden Puppet Award at the Mittelfest festival, Cividale del Friuli, Italy, for the production Little Beasts
- 2006 / Award for direction and Children’s Jury Award at the 18th Poletni lutkovni pristan, Maribor, Slovenia, for the production Pippi Longstocking
- 2009 / Best Production Award and the Children’s Jury Award at the 4th International festival of contemporary plays for children and youth Kon-teksty, Poznaň, Poland for the production My Friend, the Giant
- 2010 / Best Production Award and the UNIMA Prize for a consistent search for an own, original language at the international festival Katowice for Children, Poland for the production My Friend, the Giant
- 2010 / 25 Golden Stars Award at the festival Poletni lutkovni pristan, Maribor, Slovenia, for the production The Nine Months
- 2011 / Grand prix of the international festival of puppet theatres Katowice for Children, Poland, for the production The Dairy Tale
- 2012 / Grand prix of the 9th international festival of non-state puppet theatre Moskovskije kanikuly, Russia, for the production The Nine Months
- 2013 / Award for the stage adaptation of literature for children and youth, and the Audience Award at the 6th International festival of contemporary plays for children and youth Kon-teksty, Poznaň, Poland, for the production The Friendly Stray
- 2013 / Award for direction, concept, and acting performance at the 22nd Mateřinka Festival in Liberec, Czech Republic for the production The Friendly Stray
- 2013 / Grand prix and the Children’s Jury Award at the 24th festival Poletni lutkovni pristan, Maribor, Slovenia, for the production The Friendly Stray
- 2014 / Grand prix at the 28th showcase of unconventional theatres KOPŘIVAFEST, Kopřivnice, Czech Republic for the production The Friendly Stray
- 2016 / Special Award of the Jury to Katarína Aulitisová and Markéta Plachá at the 33rd international festival Skupova Plzeň for inspiring pedagogical leadership of the stage project The Wall
- 2019 / Prize for direction awarded at the 32nd theatre festival WALIZKA, Lomža, Poland, for the production Stories of Walls
- 2019 / Grand prix of the 10th International festival of theatres of live forms Maskarada, Rzeszow, Poland, for the production Stories of Walls
- 2022 / Special prize of the Association of Polish Dramatic Artists at the international festival of puppet schools Lalka nie lalka, Bialystok, Poland, for the production The Big Journey of Hair and Beard
- 2023 / Award of the Jury for a sensitivity towards a child audience, for rich imagination and a range of applied forms the Festival of Joy in Brno for the production RoundAround
- 2023 / Award for the concept and direction at the 27th international festival Mateřinka, Liberec, for the production RoundAround