Lukáš Brutovský
Profile
Lukáš Brutovský completed the Bilingual High School in Poprad and then graduated from the Academy of Performing Arts in Bratislava, where he majored in theatre direction in the class led by Peter Mikulík. While still a student, he enjoyed success with his production of Russian classics, such as The Death of Tarelkin, A Profitable Position and Summerfolk which were performed at several international theatre festivals (Bratislava, Prague, Brno, Moscow) and received several awards. In 2012, Slovak critics nominated the production A Profitable Position to receive the Dosky Award in the Best Direction of the Season category. After the completion of his master’s programme, Brutovský continued as a doctoral student and, besides other activities, also taught international students. He has been collaborating with several Slovak and Czech theatres (Bratislava, Nitra, Martin, Brno, Kladno, Prague). In 2014, he became the laureate of the Divadelní noviny journal’s Prize for Best Direction of the Season for the production Maryša at the HaTheatre in Brno. Since 2015, he has worked as the artistic director of the Slovak Chamber Theatre in Martin.
Lukáš Brutovský is part of the youngest generation of Slovak contemporary directors. When selecting titles for the stage, he focuses on international, mostly Russian classics. He tends to avoid contemporary plays and directs them only sporadically (It Is the Wind That Makes the Flag, City Theatre Kladno, 2013). For Brutovský, working with classical texts and the expressive interpretation thereof means transforming the texts into pure, aesthetic forms and thoroughly constructing situations which often contain anti-illusionary elements and rely on the visibly precise work of actors. The minimalist stage design allows the actors to concentrate on their performance and the features of their characters are manifested under maximalist requirements. Brutovský never relies on stage imagination shaped by music or a complicated visual design. The director communicates all meaning through actors and believes that when a stage is empty a person (spectator) can better focus on another person (actor).
While a student at the Academy of Performing Arts, he maintained an intense directorial-dramaturgical dialogue with dramaturg Miroslav Dacho with whom he has cooperated in most of his projects. In addition to directing plays and translating texts from German (The Parasite, The Ape and The Groom), Brutovský has written several radio and theatre plays and dramatizations (Talents, At Noon, The Trnava Group).
- 2009 / Studio 12, Bratislava / Lukáš Brutovský: Talents
- 2010 / Academy of Performing Arts, Bratislava / Aleksandr Vasilyevich Sukhovo-Kobylin: The Death of Tarelkin
- 2011 / Bratislava Puppet Theatre / Dušan Štauder: A Stick Out of the Bag
- 2011 / Cervinus Theatre, Szarvas, Hungary / Michał Walczak: The Sandbox
- 2011 / Academy of Performing Arts, Bratislava / Edward Albee, Giles Cooper: Everything in the Garden
- 2012 / Academy of Performing Arts, Bratislava / Alexander Nikolayevich Ostrovsky: A Profitable Position
- 2012 / Academy of Performing Arts, Bratislava / Maxim Gorky: Summerfolk
- 2013 / Andrej Bagar Theatre, Nitra / Louis Picard, Friedrich Schiller: The Parasite
- 2013 / City Theatre Kladno, Czech Republic / Phillip Löhle: It Is the Wind That Makes the Flag
- 2014 / HaTheatre, Brno, Czech Republic / Alois and Vilém Mrštík: Maryša
- 2014 / Slovak Chamber Theatre, Martin / Alexander Nikolayevich Ostrovsky: The Forest
- 2014 / Ján Palárik Theatre, Trnava / Miro Dacho, Lukáš Brutovský: The Trnava Group
- 2014 / Slovak National Theatre, Bratislava / a team of authors: The Ten Commandments (Thou Shalt Not Commit Adultery)
- 2014 / Slovak National Theatre, Bratislava / Peter Karvaš: Midnight Mass
- 2014 / Academy of Performing Arts, Bratislava / Thomas Bernhard: Ice Cream
- 2015 / Andrej Bagar Theatre, Nitra / Edmond Rostand: Cyrano de Bergerac
- 2015 / Švanda Theatre, Prague, Czech Republic / Molière: The Misanthrope
- 2015 / DPM Theatre / a team of authors: September 2015
- 2015 / South Bohemian Theatre, České Budějovice, Czech Republic / Lev Nikolayevich Tolstoy, Lukáš Brutovský: Kreutzer Sonata
- 2016 / Moravian-Silesian National Theatre, Ostrava, Czech Republic/ Pavel Vilikovský: My Father’s Diary
- 2016 / Slovak Chamber Theatre, Martin / Maxim Gorky: The Smug Citizens
- 2016 / Slovak Chamber Theatre Martin / Nikolai Vasilievich Gogol: The Gamblers
- 2017 / Petr Bezruč Theatre, Ostrava, Czech Republic / Lukáš Brutovský: P.S. ... write back
- 2017 / ASTORKA Korzo ’90 Theatre, Bratislava / Sophocles: Electra
- 2017 / Slovak Chamber Theatre Martin / Friedrich Schiller: Love and Intrigue
- 2017 / State Theatre Košice / Anton Pavlovich Chekhov: Uncle Vanya
- 2018 / Slovak Chamber Theatre, Martin / Stefan Zweig, Lukáš Brutovský: The Biology of a Politician – Fouché!!!
- 2018 / Slovak Chamber Theatre, Martin / David Gieselmann: Phobias
- 2018 / Slovak Chamber Theatre, Martin / Václav Havel: The Beggar’s Opera
- 2019 / Moravian-Silesian National Theatre, Ostrava, Czech Republic / Ivan Vyrypaev: Drunks
- 2019 / Slovak Chamber Theatre, Martin / Pavel Kyrmezer: A Czech Comedy about the Rich Man and Lazarus
- 2019 / Andrej Bagar Theatre, Nitra / Ján Palárik: The Tinker
- 2019 / Slovak Chamber Theatre, Martin / Jan Antonín Pitínský: Mother
- 2020 / Prague City Theatres, Prague, Czech Republic / Alois Jirásek, Lukáš Brutovský: The Hussite Trilogy (Jan Hus, Jan Žižka, Jan Roháč)
- 2020 / Slovak National Theatre, Bratislava / Jozef Hollý: Kubo
- 2020 / Slovak Chamber Theatre, Martin / Max Frisch: The Arsonists
- 2021 / National Theatre, Brno, Czech Republic / Robert Icke, Arthur Schnitzler: Doctor
- 2021 / South Bohemian Theatre, České Budějovice, Czech Republic / David Jan Žák, Lukáš Brutovský: Return of the King of Šumava
- 2021 / Slovak Chamber Theatre, Martin / Lukáš Brutovský: D1 (working title)
- 2022 / Slovak Chamber Theatre, Martin / William Shakespeare: A Midsummer Night’s Dream
- Cruciverbalists (2008)
- Talents (2009)
- One Particular Early December Evening (2009, radio play)
- Quattro Formaggi (2009)
- At Noon (2010)
- Delay, or Rudolf’s Revenge (2012, radio play)
- Thou Shalt Not Commit Adultery (2014); part of the project The Ten Commandments
- The Trnava Group (2014)
- Kreutzer Sonata (2015, theatre adaptation)
- Friedrich Schiller: The Parasite
- Friedrich Schiller: Love and Intrigue
- Thomas Bernhard: The Universal Reformer
- Thomas Bernhard: Ice Cream, 4 short dramas from the cycle The German Lunch Table
- Johann Nestroy: The Ape and the Groom
- Peter Zvon: Dancing Over the Tears
- 2008 / 3rd place in the 2008 Drama competition for the play Talents
- 2009 / 1st place in the 2009 Dráma competition for the play At Noon
- 2014 / Award of the Divadelní Noviny journal in 2013/2014 in the drama theatre category for Best Direction of the Season for HaTheatre’s production of Maryša