Juraj Poliak
Profile
Juraj Poliak’s art education started at a public art school in Žilina, under the guidance of Pavol Choma. Poliak then graduated from The Middle Art and Industry School in Kremnica (1987) and the Studio of Free and Colour Graphics under the leadership of Vojtech Kolenčík at the Academy of Performing Arts in Bratislava (1997). He also went on study stays in France and Greece. He has worked as a freelance artist, mainly in the field of graphic design, primarily for cultural institutions. He has been working on freelance work, his own exhibition projects and showcases, and, since 2011, theatre stage design. He is a member of the free association of artists Honey and Dust and the group of visual artists called Rôznakí.
He has presented his art at individual and group exhibitions in Slovak and international galleries. He also designs exhibition rooms and prepares permanent exhibitions, for example for the Museum of Coins and Medals in Kremnica. He is the author of an exhibition for BIBIANA, the international house of art for children in Bratislava (Something incredible! The Fantastic Journeys of Baron Munchhausen, 2010), was a member of the curatorial team of the Slovak pavilion at the Prague Quadrennial 2019 (The Absence of Wonders Exhausts Us), and his object became part of the exhibition of the Theatre Institute entitled How We Are Looking For Ourselves (2023). A unique exhibition is Puppets in the Attic, which includes the stage design (puppets, costumes, stage sets) from the sixty years of the history of the Puppet Theatre in Žilina. It was designed and held by Peter Moravčík and Michaela Poliaková at the Rosenfeld Palace in Žilina.
A common feature of Juraj Poliak’s free, exhibition and scenographic work is processuality. His stage sets are characterized by the use of unconventional materials and demanding but well thought-out technological aspects. He uses the methods of action stage design, action painting and performance art. In his first production Epic (Puppet Theatre Žilina, 2011), he created a wall, three by five metres large, made of big cubes. The construction was strong enough to hold the actors who scaled it until the end, when it disintegrated into pieces. This was followed by other stage work that strongly contributed to the dramaturgy of each production Poliak worked on thanks to the action and processual character. The stage setting for the production of Mojmír II, or the Twilight of an Empire (Slovak National Theatre, 2015) relied on a large picture with an abstract circular scene. The performers would gradually tear it off the wall to reveal a writing in the Glagolitic script underneath it. They would immediately erase the writing to highlight the metaphor that the Glagolitic script was quickly replaced by the Latin alphabet. In Ghosts (Jókai Theatre Komárno, 2022), Poliak designed a nine-metre-long table, covered in a tablecloth made of lead tin, thus manifesting the heaviness of the family drama. The production also featured the model of a house which collapsed at the end – using pre-installed servo-engines, its walls disintegrated one by one.
Poliak proposed an original solution for the production of Longing for the Enemy (Slovak National Theatre, 2017), in which he used organ pipes and, in cooperation with the composer and actor Daniel Fisher, created a way of playing these pipes using tubes from vacuum cleaners and a compressor.
Juraj Poliak is also a performer – his action painting was part of the stage works of the Honey and Dust association and the production Iocaste (Slovak Chamber Theatre Martin, 2023). It was also incorporated into the production Wonders for Alice (Karol Spišák’s Old Theatre in Nitra, 2015), in which the actors pressed onto sheets of paper various pictures of a rabbit, or a royal crown. In the production entitled D1 (working title) (Slovak Chamber Theatre Martin, 2021), Poliak involved all of the actors in the visual art. Every performance included the process of plaster casting letters. The actors and actresses would then hang the letters above the stage to write: “The production will be completed in the year 20…”
Juraj Poliak collaborates with puppet, drama and dance theatres. He also has strong links with independent companies. He has entered the theatre from a different field, which is reflected in his more open search for means of expression. He has collaborated with such directors as Rastislav Ballek, Lukáš Brutovský, Andrej Kalinka, Alena Lelková, Ján Luterán, Júlia Rázusová, Kamil Žiška, as well as with various performers and dancers. He has also participated in different experimental or para-theatrical projects of the Pôtoň Theatre in Bátovce and the Kiosk Festival in Žilina.
Based on the nature of his work and the perception of stage design as an action element, in many cases he transformed parts of the stage from last performances into artistic (exhibition) objects. Another example of the shift of his work between modes of presentation is the transformation of stage elements from the production of the Odivo association entitled Traces in Memory (2017) to a performative installation at the Kiosk Festival called Memory Traces (2022).
(Author: Lenka Dzadíková, published online on 30th December 2024)
- 2011 / Puppet Theatre Žilina / stage design / Ivan Martinka – Andrej Kalinka: Epic
- 2012 / Bratislava Puppet Theatre / stage design / Vladimir Oravsky – Kurt Peter Larsen: FOR REAL, or About the Boy Who Did Drawings
- 2013 / National Moravian-Silesian Theatre Ostrava, Czech Republic / stage design / Jack Trevor Story: The Trouble with Harry
- 2014 / Theatre of Puppets Ostrava, Czech Republic / stage design / Martin Geišberg: Aika from the Lost Fairy Tale
- 2014 / Honey and Dust / stage design / Andrej Kalinka – Ivan Martinka – Michal Mikuláš – Juraj Poliak: Home Eros Faith
- 2014 / Alexander Duchnovič Theatre, Prešov / stage design / Eva Maliti-Fraňová: Krcheň the Immortal
- 2015 / Slovak National Theatre Bratislava / stage design / Viliam Klimáček: Mojmír II, or the Twilight of an Empire
- 2015 / Studio 12, Bratislava / stage design / Jana Juráňová: Silver Bowls, Excellent Vessels
- 2015 / Karol Spišák’s Old Theatre in Nitra / stage design / Andrej Kalinka: Wonders for Alice
- 2015 / Slovak National Theatre / stage design / Jana Juráňová: The Quiet Whip
- 2016 / Slovak National Theatre / stage design / Júlia Rázusová – Zuzana Dzurindová – Kamil Žiška: Morals 2000+
- 2016 / Honey and Dust / stage design / Andrej Kalinka: Beauty and Filth
- 2016 / State Theatre Košice / stage design / Elaine Murphy: Little Gem
- 2017 / Slovak National Theatre Bratislava / stage design / Bernhard Studlar: Longing for the Enemy
- 2017 / Pôtoň Theatre, Debris Company, Honey and Dust, and Sláva Daubnerová / objects / a team of authors: Miracles
- 2017 / Honey and Dust / objects / Andrej Kalinka – Juraj Poliak: Dark Night +/- Paintings for Deers
- 2018 / Honey and Dust / stage design /Andrej Kalinka: EU.GENUS
- 2018 / Slovak National Theatre / stage design / Björnstjerne Martinius Björnson: Beyond Human Power
- 2019 / State Theatre Košice / stage design / Thomas Jensen: Adam’s Apples
- 2020 / State Theatre Košice / stage design / Hana Naglik: Jurgo’s Hana
- 2020 / Slovak Chamber Theatre Martin / stage design / George Orwell – Robert Icke – Duncan Macmillan: 1984
- 2021 / Slovak Chamber Theatre Martin / stage design / Lukáš Brutovský: D1 (working title)
- 2021 / Dance Studio Theatre Banská Bystrica / stage design / Zebastián Mendéz Marín: Punk Pajama Party
- 2022 / Odivo, Banská Bystrica / stage design / Mária Danadová – Monika Kováčová: Immersed
- 2022 / ASTORKA Korzo ’90 Theatre, Bratislava / stage design / Christopher Hampton: A German Life
- 2022 / Jókai Theatre Komárno / stage design / Henrik Ibsen: Ghosts
- 2022 / ODIVO at the KIOSK Festival in Žilina / objects / performative installation Memory Traces
- 2022 / Zebastián Méndez Marín, Lucia Kašiarová at the KIOSK Festival in Žilina / objects / Exergonic Odyssey
- 2023 / Puppet Theatre Žilina / stage design / Erlend Loe: Doppler
- 2023 / City Theatre Žilina / stage design / Zuzana Palenčíková: Dušan Makovický Hanged Himself in His Native Home
- 2023 / Spiš Theatre, Spišská Nová Ves / stage design / Alena Sabuchová – Lucia Mihálová: Whisperers
- 2001 / Grand Prize of the Ministry of National Cultural Heritage, International Biennial of Drawing and Graphic Art, Győr, Hungary
- 2007 / Honorary Mention of the Jury, International Biennial of Drawing and Graphic Art, Győr, Hungary
- 2007 / 2007 Museum of the Year / exhibition “The Coin Collection Journeys for the Slovak National Bank” – Museum of Coins and Medals Kremnica
- 2007 / Annual Award of the Sights and Museums journal / “The Coin Collection Journeys for the Slovak National Bank” – Museum of Coins and Medals Kremnica
- 2015 / DOSKY 2015 / Best Stage Design and Best Production categories / the production Mojmír II, or the Twilight of an Empire (Slovak National Theatre)
- 2021 / Grand Prix and the Bratislava Audience Award / Nová dráma/New drama Festival / the production D1 (working title) (Slovak Chamber Theatre Martin)